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Mei Lanfang

Peking opera artist (1894-1961)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 30, 2026
Entity authorityQ526989 ↗
Source-derived summary

Mei Lan (22 October 1894 – 8 August 1961), better known by his stage name Mei Lanfang, was a notable Chinese Peking opera artist in modern Chinese theater. Mei was known as the "Queen of Peking Opera". Mei was exclusively known for his female lead roles (dan) and particularly his "verdant-robed girls" (qingyi), young or middle-aged women of grace and refinement. He was considered one of the "Four Great Dan", along with Shang Xiaoyun, Cheng Yanqiu, and Xun Huisheng.

Early life

Mei Lanfang was born in Beijing in 1894 into a family of Peking opera and Kunqu performers (performers of a traditional Chinese theatre composed of drama, ballet, opera, poetry, and music) of Taizhou, Jiangsu ancestry.

Career

At age 8, Mei Lanfang started training in Chinese opera skills such as acting, singing and acrobatics. Mei Lanfang made his stage debut at the Guanghe Theatre in 1904 when he was 11 years old playing a weaving girl. In his 50-year stage career, he maintained strong continuity while always working on new techniques. His most famous roles were those of female characters; the skillful portrayal of women won him international acclaim, and his smooth, perfectly timed, poised style has come to be known in opera circles as the "Mei School." He also played an important part in continuing the performance tradition of Kunqu, noted particularly for his interpretations of Du Liniang (杜丽娘; in The Peony Pavilion) and Bái Sùzhēn (白素贞; in Legend of the White Snake). Mei's famous portrayal of Beauty Yu was so historically moving that Wenting Song said he was one of the greatest vocal artists in modern China.

Editorial summary

Begin with the source’s own compact description: “Mei Lanfang” is peking opera artist (1894-1961). The dossier treats that line as a proposition to test through Lanfang, Peking and opera, not as a finished interpretation.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1894, 1961, 1904—that can be checked directly. The authority record carries competing date values—1894-10-22, 1894—which should remain separate until their references and qualifiers are resolved. For this dossier, Lanfang, Peking and opera is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “peking opera artist (1894-1961)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Aug 30, 2026. The linked authority identifier is Q526989. VIAF identifies the subject as 4938673. The Library of Congress control number is n81009469. 4 of 4 selected statements include explicit references; 0 carry qualifiers and 1 use preferred rank. The first chronological checks are 1894, 1961 and 1904.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Mei Lanfang”, its source revision and the description used here.
  2. Expand the search: follow Mei Lanfang primary sources, Mei Lanfang archive and Lanfang research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Mei Lanfang”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from “Mei Lanfang” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.