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Matan Porat

Israeli pianist and composer

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 7, 2026
Entity authorityQ6625021 ↗
Source-derived summary

Matan Porat (Hebrew: מתן פורת), is an Israeli pianist and composer. He lives in Berlin.

Life

Porat has a master's degree from the Juilliard School in New York City. He has studied piano under Emanuel Krasovsky, Murray Perahia and Maria João Pires and composition with Ruben Seroussi and George Benjamin.

He has performed piano recitals at the Philharmonie hall in Berlin, Wigmore Hall and Barbican in London, at Carnegie Hall in New York and at the Louvre in Paris. He has played with Renaud Capuçon, Sharon Kam, Kim Kashkashian, Emmanuel Pahud, Dorothea Röschmann and Alisa Weilerstein, with the Jerusalem and Ysaye Quartets, and as a soloist with the Chicago Symphony Orchestra, Polish National Radio Symphony Orchestra, Sinfonia Varsovia, SWR Symphonieorchester, Münchener Kammerorchester, Hong Kong Sinfonietta and Jerusalem Symphony Orchestra.

Porat has participated in festivals including Marlboro, Lockenhaus, Ravinia, Verbier, Heidelberger Frühling and Rheingau Festivals.

His compositions were commissioned and performed by Cuarteto Casals, Andreas Scholl, Maria João Pires, Kim Kashkashian, Avi Avital and Nicolas Altstaedt, as well as the Academy of the Deutsches Symphonie-Orchester Berlin. He has been the composer in residence at the Lockenhaus festival, festival Mizmorim in Basel, Chamberfest in Cleveland and at Intonations festival in Berlin.

Porat's playing for the silent movies The General and Metropolis at Marlboro Music in 2009 was described as "an astounding feat of creative musicianship" by Alex Ross, and as "quite sensational" by Richard Goode.

Editorial summary

Begin with the source’s own compact description: “Matan Porat” is israeli pianist and composer. The dossier treats that line as a proposition to test through Matan, Porat and Israeli, not as a finished interpretation.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—2009—that can be checked directly. The linked authority record independently contributes the date 1982-01-21. For this dossier, Matan, Porat and Israeli is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “israeli pianist and composer” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Sep 7, 2026. The linked authority identifier is Q6625021. VIAF identifies the subject as 224444961. The Library of Congress control number is no2014008256. 3 of 4 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 2009.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Matan Porat”, its source revision and the description used here.
  2. Expand the search: follow Matan Porat primary sources, Matan Porat archive and Matan research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Matan Porat”?
  2. Which claims depend on a single source or contested interpretation?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from “Matan Porat” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.