CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

Michel Fokine

Russian ballet dancer and choreographer (1880–1942)

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 16, 2026
Entity authorityQ314312 ↗
Source-derived summary

Michael Fokine (23 April [O.S. 11 April] 1880 – 22 August 1942) was a Russian choreographer and dancer.

Career

Early years

Fokine was born in Saint Petersburg to a prosperous merchant and at the age of 9 was accepted into the Saint Petersburg Imperial Ballet School. That same year, he made his performing debut in The Talisman under the direction of Marius Petipa. In 1898, on his 18th birthday, he debuted on the stage of the Imperial Mariinsky Theatre in Paquita, with the Imperial Russian Ballet. In addition to being a talented dancer, Fokine was also passionate about painting and displayed talent in this area as well. He also played musical instruments, including mandolin (played on stage in ensemble led by Ginislao Paris), domra, and balalaika (played in Vasily Andreyev's Great Russian Orchestra).

Transition to choreographer

He became frustrated with the life of a dancer and began considering other paths, including painting. In 1902, he was offered a teaching position at the Imperial Ballet School and was able to explore the artistic possibilities of choreography. In 1905, he created his first full-length ballet, Acis et Galatée, which was performed by his students and based on a Sicilian legend. Among his students were Desha Delteil and Bronislava Nijinska.

Editorial summary

Begin with the source’s own compact description: “Michel Fokine” is russian ballet dancer and choreographer (1880–1942). The dossier treats that line as a proposition to test through Michel, Fokine and Russian, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1880, 1942, 1898, 1902—that can be checked directly. The authority record carries competing date values—1880-04-11, 1880-04-23—which should remain separate until their references and qualifiers are resolved. For this dossier, Michel, Fokine and Russian is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “russian ballet dancer and choreographer (1880–1942)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 16, 2026. The linked authority identifier is Q314312. VIAF identifies the subject as 100301569. The Library of Congress control number is n82093712. 4 of 5 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1880, 1942, 1898 and 1902.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Michel Fokine”, its source revision and the description used here.
  2. Expand the search: follow Michel Fokine primary sources, Michel Fokine archive and Michel research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Michel Fokine”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Michel Fokine” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.