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Klaus Zehelein

Opera intendant

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 2, 2026
Entity authorityQ1745891
Source-derived summary

Klaus Zehelein (born 5 September 1940) is a German dramaturge. He was president of the Munich Bayerische Theaterakademie August Everding. Zehelein is also president of the association of German theatres, Deutscher Bühnenverein. For fifteen years, from 1991 until 2006, Zehelein was artistic director of the Staatsoper Stuttgart. Critic Gerhard Rohde, summing up Zehelein's theatre work at the Stuttgart opera, says "Zehelein does not view opera as a culinary phenomenon. For him opera is an extremely complex matter, where all arts – as well as social, philosophical, historic, utopic and other aspects – unite. This complexity of opera merits being perceived, being seen, being experienced; thus all works that end up performed on stage, are rigorously analyzed beforehand. He who says this results in thinned-out, merely sophisticated opera performances, missed out substantially in the Zehelein-Era in Stuttgart."

Education and professional activity

Zehelein studied German literature, musicology and philosophy in the Goethe University Frankfurt. Among his teachers were the philosophers Max Horkheimer and Theodor W. Adorno. Although not a composer himself, Zehelein participated in the Darmstädter Ferienkurse from 1959 to 1966.

Editorial summary

“Klaus Zehelein” enters the record as opera intendant. Crown Archives preserves that source wording while asking what Klaus, Zehelein and Opera can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1940, 1991, 2006, 1959—that can be checked directly. The authority record carries competing date values—1940-05-09, 1940-09-05—which should remain separate until their references and qualifiers are resolved. Its strongest next move is a source search built around Klaus, Zehelein and Opera.
Editorial analysis

Why this record matters

“Klaus Zehelein” is worth following because a concise public description often conceals a longer documentary argument. Here, Klaus, Zehelein and Opera provides the most credible route into that argument.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 2, 2026. The linked authority identifier is Q1745891. VIAF identifies the subject as 7619875. The Library of Congress control number is no2002027812. 4 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1940, 1991, 2006 and 1959.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Klaus Zehelein”, its source revision and the description used here.
  2. Expand the search: follow Klaus Zehelein primary sources, Klaus Zehelein archive and Klaus research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Klaus Zehelein”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Klaus Zehelein” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.