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Nothing to My Name

song performed by Cui Jian

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 10, 2026
Entity authorityQ7062891 ↗
Source-derived summary

"Nothing to My Name" (Chinese: 一无所有; pinyin: Yī wú suǒ yǒu) is a song by Chinese rock musician Cui Jian. It is widely considered Cui's most famous and most important work, and one of the most influential songs in the history of the People's Republic of China, both as a seminal point in the development of Chinese rock music and as a political sensation. The song was an unofficial anthem for Chinese youth and activists during the 1989 Tiananmen Square protests and massacre.

Both in its lyrics and instruments, the song mixes traditional Chinese styles with modern rock elements. In the lyrics, the speaker addresses a girl who is scorning him because he has nothing. However, the song has also been interpreted as being about the dispossessed youth of the time, because it evokes a sense of disillusionment and lack of individual freedom that was common among the young generation during the 1980s.

Historical context

By the late 1970s, Western rock music was gaining popularity in mainland China. After the Cultural Revolution ended in the mid-1970s and the government began a period of reform and opening up, many students and businessmen went abroad and brought back Western music. Chinese singers began performing covers of popular Western rock songs.

At the same time, Chinese society and the Chinese government were quickly abandoning Maoism, and promoting economic policies that had a more capitalist orientation.

Editorial summary

The public source identifies “Nothing to My Name” as song performed by Cui Jian. This brief keeps that definition visible, then builds a research path around Nothing, Name and song.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1989—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Nothing, Name and song providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Nothing to My Name”, the useful work is to connect “song performed by Cui Jian” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 10, 2026. The linked authority identifier is Q7062891. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1989.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Nothing to My Name”, its source revision and the description used here.
  2. Expand the search: follow Nothing to My Name primary sources, Nothing to My Name archive and Nothing research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Nothing to My Name”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Nothing to My Name” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.