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Yoshitsune Senbon Zakura

Japanese Kabuki play

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 20, 2026
Entity authorityQ1052028 ↗
Source-derived summary

Yoshitsune Senbon Zakura (義経千本桜; Japanese pronunciation: [jo.ɕi̥.tsɯꜜ.ne | sem.bon.dzaꜜ.kɯ.ɾa]), or Yoshitsune and the Thousand Cherry Trees, is a Japanese play, one of the three most popular and famous in the kabuki repertoire. Originally written in 1747 for the jōruri puppet theater by Takeda Izumo II, Miyoshi Shōraku and Namiki Senryū I, it was adapted to kabuki the following year. Recent studies of jōruri dramaturgy suggest that Namiki Senryū I (Namiki Sōsuke) played a central role in shaping the structure of the play, particularly in the scenes adapted into later kabuki traditions.

Adapted to kabuki, the play was premièred in that mode in January 1748, in the city of Ise, in Mie Prefecture. Kataoka Nizaemon IV and Yamamoto Koheiji were two of the actors in this performance, playing Ginpei and Tadanobu/Genkurō respectively. The premiere in Edo was held at the Nakamura-za in May the same year, and in Osaka at the Naka no Shibai just a few months later in August.

The play is derived from the world of the Heike Monogatari, a classical epic which details the rise and fall of the Taira clan of samurai. The latter portions describe the eventual defeat of the Taira in the Genpei War (1180–85), at the hands of the Minamoto clan, led by Minamoto no Yoshitsune, the title character of this play.

Yoshitsune takes place a few years after the end of the Genpei War. Minamoto no Yoshitsune, the famous general, is being pursued by agents of his brother, Minamoto no Yoritomo, who has recently established himself as shōgun.

Editorial summary

The public source identifies “Yoshitsune Senbon Zakura” as japanese Kabuki play. This brief keeps that definition visible, then builds a research path around Yoshitsune, Senbon and Zakura.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1747, 1748, 1180—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Yoshitsune, Senbon and Zakura providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Yoshitsune Senbon Zakura”, the useful work is to connect “japanese Kabuki play” to the records capable of establishing context and consequence.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 20, 2026. The linked authority identifier is Q1052028. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1747, 1748 and 1180.

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Source & attribution

This entry incorporates text from “Yoshitsune Senbon Zakura” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.