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Yasutake Funakoshi

Japanese sculptor (1912–2002)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 23, 2026
Entity authorityQ11613805
Source-derived summary

Yasutake Funakoshi (舟越 保武, Funakoshi Yasutake; December 7, 1912 – February 5, 2002) was a Japanese sculptor and painter.

Life and work

Funakoshi was born in what is now the town of Ichinohe in the Iwate Prefecture in northern Honshū. Later he attended middle school in Morioka where the painter Shunsuke Matsumoto was among his schoolmates. In 1939 Funakoshi joined the Shin Seisaku Kyōkai (新制作協会, "association for new art") and helped to organize its sculpture division. Together with Matsumoto he held a shared exhibition in Morioka in 1941. Both artists remained friends until Matsumoto's early death in 1948.

In 1950 Funakoshi showed the sculpture Azalea at the 14th exhibition of the Shin Seisaku Kyōkai. The sculpture was subsequently bought by the ministry of education. In the same year he converted to Catholicism and his new faith proved to have a profound influence on his work, which started to feature Christian motives. From 1958 to 1962 he created the sculptures Twenty-six Martyrs of Japan and later the Hara-no-Jo (原の城, Christian samurai).

Editorial summary

This brief starts where responsible research should: with the source description of “Yasutake Funakoshi” as japanese sculptor (1912–2002). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1912, 2002, 1939, 1941—that can be checked directly. The linked authority record independently contributes the date 1912-12-07. The account is most persuasive where Yasutake, Funakoshi and Japanese can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as japanese sculptor (1912–2002). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Aug 23, 2026. The linked authority identifier is Q11613805. VIAF identifies the subject as 75220799. The Library of Congress control number is n83018876. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1912, 2002, 1939 and 1941.

Critical limits

Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  2. Expand the search: follow Yasutake Funakoshi primary sources, Yasutake Funakoshi archive and Yasutake research across catalogues and specialist indexes.
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Source & attribution

This entry incorporates text from Yasutake Funakoshi” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.