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Yasunao Tone

Japanese artist (1935–2025)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 2, 2026
Entity authorityQ8050043 ↗
Source-derived summary

Yasunao Tone (刀根 康尚, Tone Yasunao; 31 March 1935 – 12 May 2025) was a Japanese multidisciplinary artist born in Tokyo, Japan, and working in New York City. He graduated from Chiba University in 1957 with a major in Japanese Literature. An important figure in postwar Japanese art during the 1960s, he was active in many facets of the Tokyo art scene. He was a central member of the early noise music collective Group Ongaku and was associated with a number of other Japanese art groups such as Neo-Dada Organizers, Hi-Red Center, and Team Random (the first computer art group organized in Japan).

Tone was also a member of Fluxus and one of the founding members of its Japanese branch. Many of his works were performed at Fluxus festivals or distributed by George Maciunas’s various Fluxus operations. Relocating to the United States in 1972, he henceforth gained a reputation as a musician, performer and writer working with the Merce Cunningham Dance Company, Senda Nengudi, Florian Hecker, and many others. Tone is also known as a pioneer of "Glitch" music due to his groundbreaking modifications of compact discs and CD players.

Tone died on 12 May 2025, at the age of 90.

Early life in Tokyo

While in high-school Tone became interested in Japanese Avant-Garde poetry and prose of the 1920s and 30s.

Editorial summary

This brief starts where responsible research should: with the source description of “Yasunao Tone” as japanese artist (1935–2025). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1935, 2025, 1957, 1972—that can be checked directly. The linked authority record independently contributes the date 1935-01-01. The account is most persuasive where Yasunao, Tone and Japanese can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as japanese artist (1935–2025). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Apr 2, 2026. The linked authority identifier is Q8050043. VIAF identifies the subject as 96606593. The Library of Congress control number is nr92032725. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1935, 2025, 1957 and 1972.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Yasunao Tone”, its source revision and the description used here.
  2. Expand the search: follow Yasunao Tone primary sources, Yasunao Tone archive and Yasunao research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Yasunao Tone”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from “Yasunao Tone” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.