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Chan Hon Goh

Canadian ballet dancer

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 3, 2026
Entity authorityQ5070279 ↗
Source-derived summary

Chan Hon Goh, C.M (simplified Chinese: 吴振红; traditional Chinese: 吳振紅, born 1969) is a ballerina based in Canada. Goh was a principal dancer with The National Ballet of Canada before going on to become a published author, director, teacher, executive producer, and entrepreneur.

Career

Stage career

Goh began her career with The National Ballet of Canada in 1988. She progressed from second soloist in 1990, to first soloist in 1992. And in 1994, Goh became the first ever Principal Dancer of Chinese heritage in the company's history.

On May 31, 2009, Chan Hon Goh danced her farewell performance at the Four Seasons Centre for the Performing Arts in Toronto, with the National Ballet of Canada.

Career off-stage

In 1996, with her husband Chun Che (also a former Principal Dancer with The National Ballet of China), Goh launched her own shoe brand "Principal by Chan Hon Goh." The company manufactures pointe shoes and dance slippers.

Goh is also a published author. In 2002, her autobiography co-written with Cary Fagan entitled Beyond the Dance: A Ballerina's Life was released by Random House. The book was a finalist for the Norma Fleck Award for Canadian Children's Non-Fiction and The Rocky Mountain Book Awards.

Editorial summary

This brief starts where responsible research should: with the source description of “Chan Hon Goh” as canadian ballet dancer. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1969, 1988, 1990, 1992—that can be checked directly. The linked authority record independently contributes the date 1969-01-01. The account is most persuasive where Chan, Canadian and ballet can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as canadian ballet dancer. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 3, 2026. The linked authority identifier is Q5070279. VIAF identifies the subject as 106336212. The Library of Congress control number is n97853698. 1 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1969, 1988, 1990 and 1992.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Chan Hon Goh”, its source revision and the description used here.
  2. Expand the search: follow Chan Hon Goh primary sources, Chan Hon Goh archive and Chan research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Chan Hon Goh”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “Chan Hon Goh” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.