Love (Beatles album)
2006 remix soundtrack album by the Beatles

Love is a soundtrack remix album of music recorded by the Beatles, released in November 2006. It features music compiled and remixed as a mashup for the Cirque du Soleil show Love. The album was produced by George Martin and his son Giles Martin, who said, "What people will be hearing on the album is a new experience, a way of re-living the whole Beatles musical lifespan in a very condensed period."
The album was George Martin's final album as a producer before his death in 2016.
Background
George Martin and his son Giles began work on Love after obtaining permission from Paul McCartney, Ringo Starr, Yoko Ono and Olivia Harrison (the latter two representing the estates of John Lennon and George Harrison, respectively). The idea for using the Beatles' music in a Cirque du Soleil production had originally come from Harrison, who died in November 2001, through his friendship with the company's founder, Guy Laliberté.
Speaking to Mojo editor Jim Irvin in December 2006, Giles Martin said that he first created a demo combining "Within You Without You" with "Tomorrow Never Knows", which he then nervously presented to McCartney and Starr for their approval. In Martin's recollection, "they loved it", with McCartney saying: "This is what we should be doing, more of this."
In discussing the project, Giles Martin commented that elements were used from recordings in the Beatles catalogue, "the original four tracks, eight tracks and two tracks and used this palette of sounds and music to create a soundbed". Because he was concerned that they might not get the green light to proceed with Love, he began by making digital back-ups of the original multi-track recordings, just to get started on the project. He also said that he and his father mixed more music than was eventually released, including "She's Leaving Home" and a version of "Girl" that he was particularly fond of, with the latter eventually being released in 2011 as a bonus track on the album on iTunes.
McCartney and Starr both responded very positively to the completed album.
The public source identifies “Love (Beatles album)” as 2006 remix soundtrack album by the Beatles. This brief keeps that definition visible, then builds a research path around Love, Beatles and album.
Why this record matters
A short description can identify a subject without explaining its stakes. For “Love (Beatles album)”, the useful work is to connect “2006 remix soundtrack album by the Beatles” to the records capable of establishing context and consequence.
Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated May 11, 2026. The linked authority identifier is Q1324743. The first chronological checks are 2006, 2016, 2001 and 2011.
Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Love (Beatles album)”, its source revision and the description used here.
- Expand the search: follow Love (Beatles album) primary sources, Love (Beatles album) archive and Love research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Love (Beatles album)”?
- Which edition, object, performance or recording is being described?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “Love (Beatles album)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.