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Wilhelm of Herle

Dutch painter

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 22, 2025
Entity authorityQ8002353 ↗
Source-derived summary

Wilhelm of Herle (born in Herle in Dutch Limburg at an unknown date in the fourteenth century; time and place of death unknown) was a painter.

According to the statements of deeds of that period he was active in Cologne from 1358 for some fifteen or twenty years. In 1370 he was paid for paintings that he had made for the liber juramentorum of the city. Also remains of frescoes from the town hall that are now preserved in the Wallraf-Richartz Museum can certainly be traced to him. It is generally supposed that a painter, Wilhelm of Cologne, mentioned in the Limburg Chronicle as "the best painter in German lands" is Wilhelm of Herle, and it has been customary to attribute to him some of the best work in painting of early Cologne, although there is no absolute proof in any one case.

His pupil and assistant was Wynrich of Wesel, and art historian Johann Matthias Firmenich-Richartz, in particular, has ascribed to Wynrich pictures attributed to Wilhelm, although Carl Aldenhoven and others have protested against this attribution. It is difficult to distinguish the work of Wilhelm from that of the school he founded. The most important paintings about which there is question are the Madonna with the Bean-Blossom and its variant the Madonna with the Pea-Blossom and the accompanying pictures on the wing-panels of St. Catherine and St. Elizabeth (Cologne and Nuremberg).

Editorial summary

The public source identifies “Wilhelm of Herle” as dutch painter. This brief keeps that definition visible, then builds a research path around Wilhelm, Herle and Dutch.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1358, 1370—that can be checked directly. The linked authority record independently contributes the date 1301. Its value is orientation rather than verdict, with Wilhelm, Herle and Dutch providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Wilhelm of Herle”, the useful work is to connect “dutch painter” to the records capable of establishing context and consequence.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated May 22, 2025. The linked authority identifier is Q8002353. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1358 and 1370.

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Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from “Wilhelm of Herle” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.