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Burgtheater

state drama theatre in Vienna, Austria

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 30, 2026
Entity authorityQ308720 ↗
Source-derived summary

The Burgtheater (German: [ˈbʊʁk.teˌaːtɐ]; literally: "Castle Theater" but alternatively translated as "(Imperial) Court Theater", originally known as K.K. Theater an der Burg, then until 1918 as the K.K. Hofburgtheater, is the national theater of Austria, located in Vienna. It is the most important German-language theater and one of the most important theatres in the world. The Burgtheater was opened in 1741 and has become known as die Burg by the Viennese population; its theater company has created a traditional style and speech typical of Burgtheater performances.

History

The original Burgtheater was set up in a tennis court (called a 'ball house' at the time) that the Roman-German king and later emperor Ferdinand I had built in 1540 in the lower pleasure garden of the Hofburg after the old ball house fell victim to a fire in 1525.

The theater opened on 14 March 1741, the creation of the Habsburg Empress Maria Theresa of Austria, who wanted a theater next to her palace. Her son, Emperor Joseph II, called it the "German National Theater" in 1776. Three Mozart operas premiered there: Die Entführung aus dem Serail (1782), Le nozze di Figaro (1786), and Così fan tutte (1790), as well as his Piano Concerto No. 24 in C Minor (1786). Beginning in 1794, the theater was called the "K.K. Hoftheater nächst der Burg". Beethoven's 1st Symphony premiered there on 2 April 1800.

Editorial summary

Begin with the source’s own compact description: “Burgtheater” is state drama theatre in Vienna, Austria. The dossier treats that line as a proposition to test through Burgtheater, state and drama, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1918, 1741, 1540, 1525—that can be checked directly. The linked authority record independently contributes the date 1741. For this dossier, Burgtheater, state and drama is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “state drama theatre in Vienna, Austria” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 30, 2026. The linked authority identifier is Q308720. VIAF identifies the subject as 130962450. The Library of Congress control number is n50055588. Authority coordinates are 48.210, 16.361. 2 of 7 selected statements include explicit references; 4 carry qualifiers and 1 use preferred rank. The first chronological checks are 1918, 1741, 1540 and 1525.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Burgtheater”, its source revision and the description used here.
  2. Expand the search: follow Burgtheater primary sources, Burgtheater archive and Burgtheater research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Burgtheater”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “Burgtheater” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.