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The Warped Ones

1960 film by Koreyoshi Kurahara

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 18, 2026
Entity authorityQ7773577 ↗
Source-derived summary

The Warped Ones (Japanese: 狂熱の季節, Hepburn: Kyōnetsu no kisetsu) is a 1960 Japanese Sun Tribe film directed by Koreyoshi Kurahara and starring Tamio Kawachi, Eiji Go, Yuko Chishiro and Noriko Matsumoto. It was produced and distributed by the Nikkatsu Company. The story concerns the young hoodlum Akira, his friends, their transgressions and specifically their revenge on the couple that got him sent to jail, a reporter and his fiancée. When the fiancée finds herself pregnant by Akira she enlists his help with her fiancé who has become distant since the attack.

Often compared by critics to Breathless (1960) and Rebel Without a Cause (1955), it is a stylistic departure from studio norms, driven by its jazz score and employing filmic techniques described as being as energetic and frantic as its characters. It achieved success in Japan and was followed by Black Sun (1964), featuring many of the same cast, crew and characters, with the addition of acclaimed drummer Max Roach to the soundtrack. Audubon Films released The Warped Ones in the United States in 1963, where it was marketed as a sexploitation film.

Plot

Criminal and jazz aficionado Akira (Tamio Kawachi) and his prostitute girlfriend Yuki (Yuko Chishiro) are arrested when they are spotted fleecing foreigners in a jazz club by a reporter named Kashiwagi (Hiroyuki Nagato). In jail, Akira meets Masaru (Eiji Go) and on their release they and Yuki resume criminal activities. They spot Kashiwagi and his artist fiancée, Fumiko (Noriko Matsumoto), hit him with a stolen car and kidnap her.

Editorial summary

“The Warped Ones” enters the record as 1960 film by Koreyoshi Kurahara. Crown Archives preserves that source wording while asking what Warped, Ones and film can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1960, 1955, 1964, 1963—that can be checked directly. The linked authority record independently contributes the date 1960-01-01. Its strongest next move is a source search built around Warped, Ones and film.
Editorial analysis

Why this record matters

“The Warped Ones” is worth following because a concise public description often conceals a longer documentary argument. Here, Warped, Ones and film provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jul 18, 2026. The linked authority identifier is Q7773577. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1960, 1955, 1964 and 1963.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Warped Ones”, its source revision and the description used here.
  2. Expand the search: follow The Warped Ones primary sources, The Warped Ones archive and Warped research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Warped Ones”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from “The Warped Ones” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.