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The War on Errorism

2003 studio album by NOFX

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 20, 2026
Entity authorityQ2631262
Source-derived summary

The War on Errorism is the ninth studio album by the American punk rock band NOFX. It was released on May 6, 2003, through Fat Wreck Chords.

The album was recorded in 2003 after they left Epitaph Records in 2001, following the release of 2000's Pump Up the Valuum.

Background

In September 2002, after 13 weeks of continuous touring around the world, the band began writing material for their next album. On November 26, it was reported that NOFX left Epitaph Records, and were expecting to release their next album through Fat Wreck Chords, which was tentatively titled Our Second Best Album. On December 9, the album's title was changed to The War on Errorism.

Other songs recorded during this time, but not released on the album, are: "Jaw, Knee, Music", "One Way Ticket to Fuckneckville" (Keyboards version), "Glass War", "Idiot Son of an Asshole", "13 Stitches" (acoustic), "Hardcore 84".

Composition

The album takes aim at U.S. President George W. Bush, criticizing him and his policies, while the cover features a cartoon version of the president as a clown. The back of the cover booklet and runout groove has a caption stating "Somewhere in Texas there is a village without its idiot".

"Mattersville" was originally released on Fat Music Volume 6: Uncontrollable Fatulence. A few songs from The War on Errorism were included on the Regaining Unconsciousness EP, released earlier.

Editorial summary

This brief starts where responsible research should: with the source description of “The War on Errorism” as 2003 studio album by NOFX. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—2003, 2001, 2000, 2002—that can be checked directly. The linked authority record independently contributes the date 2003. The account is most persuasive where Errorism, studio and album can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 2003 studio album by NOFX. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Apr 20, 2026. The linked authority identifier is Q2631262. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2003, 2001, 2000 and 2002.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The War on Errorism”, its source revision and the description used here.
  2. Expand the search: follow The War on Errorism primary sources, The War on Errorism archive and Errorism research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The War on Errorism”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from The War on Errorism” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.