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WWF The Music, Volume 3

compilation album

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 11, 2026
Entity authorityQ536893 ↗
Source-derived summary

WWF The Music, Volume 3 is a soundtrack album by WWE (then known as the World Wrestling Federation, or WWF). Released on December 29, 1998, by Koch Records, it features entrance theme music of various WWF superstars, all of which were composed and performed by Jim Johnston (with the exception of one song, performed by Insane Clown Posse). The album was a commercial success, charting at number ten on the US Billboard 200.

Composition

All songs on WWF The Music, Volume 3 were credited as being written, composed and performed by WWE composer Jim Johnston, with the exception of the entrance theme for The Oddities, which was credited to hip hop duo Insane Clown Posse And also Sable theme was released in 1996 for Marc Mero & Sable as a remix . Music website AllMusic categorised the album as heavy metal.

Reception

Commercial

WWF The Music, Volume 3 was a commercial success. In the US, the album reached number ten on the US Billboard 200; in Canada, it reached number eight on the Canadian Albums Chart. It was certified platinum by the Recording Industry Association of America, indicating sales of over a million units. The album also reached number 97 on the UK Albums Chart. WWF The Music, Volume 3 was the first WWE album to sell a million copies, spent 30 weeks on the Billboard 200 and had sold a total of 1.21 million copies as of April 2002.

Editorial summary

Begin with the source’s own compact description: “WWF The Music, Volume 3” is compilation album. The dossier treats that line as a proposition to test through Music, Volume and compilation, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1998, 1996, 2002—that can be checked directly. The linked authority record independently contributes the date 1998-01-01. For this dossier, Music, Volume and compilation is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “compilation album” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Jul 11, 2026. The linked authority identifier is Q536893. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1998, 1996 and 2002.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “WWF The Music, Volume 3”, its source revision and the description used here.
  2. Expand the search: follow WWF The Music, Volume 3 primary sources, WWF The Music, Volume 3 archive and Music research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “WWF The Music, Volume 3”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from “WWF The Music, Volume 3” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.