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Warner Music Vision

American music video company

Layered newspapers, civic records and oral-history reels arranged as chronological evidence
History and societyInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 20, 2026
Entity authorityQ7969738
Source-derived summary

Warner Music Vision (also known as Warner Vision and Warner Vision International) was a music video company formed in 1990 by Warner Music International to make music videos from artists and bands on Warner Bros. Records, Maverick Records, Sire Records, Atlantic Records, Elektra Records and other Warner Music Group labels and to release them on video.

In 2006, Warner Music Vision merged with the Rights Company to form Warner Music Entertainment.

Labels

WarnerVision Entertainment

The label also had a sublabel, WarnerVision Entertainment (formerly A*Vision Entertainment from 1990 until 1995), to release special interest products. The A*Vision label was set up in 1990 by Atlantic Records, and their first release was the documentary Banned in the U.S.A., a 2 Live Crew documentary video. It expanded in 1991 when it partnered with Penthouse to distribute videocassettes under the Penthouse Video label. In 1992, A*Vision expanded again by signing a co-distribution with the niche-interest VIEW Video label.

1993 saw a wave of expansion into various niche fields; this diversification (done in part to counter a sluggish market for music video-related product) began in January 1993 with the launch of two autonomous labels: KidVision, primarily focusing on children's videos, and NightVision, for adult titles. A third new label, BodyVision, was launched in February to handle health and fitness titles; while sister company Warner Home Video had obtained the rights to Jane Fonda's popular exercise titles via their buyout of Lorimar-Telepictures several years prior, Kathy Smith workout videos became BodyVision's primary offering after Smith's previous distributor, Media Home Entertainment, closed its doors. Rhino Home Video, a division of Rhino Records, signed a distribution deal with A*Vision Entertainment in March; Warner Music via Atlantic had owned 50% of Rhino since 1992, but their home video division had been going through Uni Distribution Corp.

Editorial summary

The public source identifies “Warner Music Vision” as american music video company. This brief keeps that definition visible, then builds a research path around Warner, Music and Vision.

Editorial reviewA useful synthesis for locating the documentary relationships between formal authority, participants and affected communities. The current lead gives the account dated anchors—1990, 2006, 1995, 1991—that can be checked directly. The linked authority record independently contributes the date 1991. Its value is orientation rather than verdict, with Warner, Music and Vision providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Warner Music Vision”, the useful work is to connect “american music video company” to the records capable of establishing context and consequence.

Evidence profile

Contemporary correspondence, administrative files and participant testimony can test how later narratives organized the event or institution. The source revision retrieved here is dated Aug 20, 2026. The linked authority identifier is Q7969738. VIAF identifies the subject as 268197853. The Library of Congress control number is nr00020183. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1990, 2006, 1995 and 1991.

Critical limits

Later summaries often reconcile disputed chronology or motive more neatly than the contemporary record permits. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Compare institutional narratives with records created by participants and affected communities. Dates and formal titles are useful anchors, but not substitutes for context.

Best used for
  • Event chronology
  • Institutional context
  • Locating named record creators
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Contemporary correspondence, government or organizational records, oral histories and cited historical scholarship.

Three-step research path

  1. Establish the record: confirm the title “Warner Music Vision”, its source revision and the description used here.
  2. Expand the search: follow Warner Music Vision primary sources, Warner Music Vision archive and Warner research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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  3. What chronology connects this entry to wider political or social change?
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Source & attribution

This entry incorporates text from Warner Music Vision” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.