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Vision (2009 film)

2009 film by Margarethe von Trotta

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 21, 2026
Entity authorityQ329108 ↗
Source-derived summary

Vision (German: Vision - Aus dem Leben der Hildegard von Bingen; English: Vision – From the Life of Hildegard von Bingen) is a 2009 German film directed by Margarethe von Trotta.

Plot

In Vision, New German Cinema auteur Margarethe von Trotta (Marianne and Julianne, Rosa Luxemburg and Rosentrasse) tells the story of Hildegard of Bingen, the famed 12th century Benedictine nun, Christian mystic, composer, philosopher, playwright, physician, poet, naturalist, scientist and ecological activist. Hildegard was a multi-talented, highly intelligent woman who had to work within the narrow social roles allowed for women at the time.

Cast

Barbara Sukowa as Hildegard of Bingen

Stella Holzapfel as Hildegard as a Child

Heino Ferch as Brother Volmar

Hannah Herzsprung as Sister Richardis

Mareile Blendi as Countess Jutta von Sponheim

Sunnyi Melles as Marchioness Richardis von Stade

Alexander Held as Abbot Kuno

Lena Stolze as Sister Jutta

Paula Kalenberg as Sister Clara

Annemarie Düringer as Abbess Tengwich

Devid Striesow as Emperor Frederick Barbarossa

Production

Integrally involved with the 1970s Women’s Movement, filmmaker Margarethe von Trotta has always been drawn to women whose story has been marginalized over time. Von Trotta and others re-found Hildegard von Bingen in their search for historically forgotten (or misremembered) women. While writing the screenplay for her 1983 film Rosa Luxemburg, von Trotta’s interest in Hildegard re-emerged and she wondered whether Hildegard’s life would be good material for a movie. After writing a few scenes, von Trotta felt the film had a powerful message and potential resonance but didn’t feel she could find a producer ready to make the movie. Thus, von Trotta shelved the idea until it came to cinematic fruition recently.

The film reunites von Trotta with Barbara Sukowa (Zentropa, Berlin Alexanderplatz). Sukowa portrays Hildegard’s fierce determination to expand the responsibilities of women within the Benedictine order, as she fends off outrage from the Church over the visions she claims to receive from God.

Editorial summary

This brief starts where responsible research should: with the source description of “Vision (2009 film)” as 2009 film by Margarethe von Trotta. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2009, 1983—that can be checked directly. The authority record carries competing date values—2009-09-04, 2009-09-24—which should remain separate until their references and qualifiers are resolved. The account is most persuasive where Vision, film and Margarethe can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 2009 film by Margarethe von Trotta. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated May 21, 2026. The linked authority identifier is Q329108. 3 of 3 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 2009 and 1983.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Vision (2009 film)”, its source revision and the description used here.
  2. Expand the search: follow Vision (2009 film) primary sources, Vision (2009 film) archive and Vision research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Vision (2009 film)”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “Vision (2009 film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.