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Thief (film)

1981 film by Michael Mann

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 10, 2026
Entity authorityQ1193098
Source-derived summary

Thief (also screened as Violent Streets) is a 1981 American neo-noir crime film written and directed by Michael Mann in his feature film debut. It stars James Caan as a professional safecracker trying to escape his life of crime, and Tuesday Weld as his wife. The supporting cast includes Jim Belushi, Robert Prosky, Dennis Farina, and Willie Nelson. The screenplay is inspired by the 1975 memoir The Home Invaders: Confessions of a Cat Burglar, by former cat burglar Frank Hohimer. The original musical score was composed and performed by Tangerine Dream.

Produced independently by Jerry Bruckheimer and James Caan's brother Ronnie, Thief was screened at the 1981 Cannes Film Festival, where it competed for the Palme d'Or. It was released in the United States by United Artists on March 27, 1981, to widespread critical acclaim. Thief earned $11.5 million at the box office, on a $5.5 million budget.

Plot

Frank is a jewel thief and ex-convict who was released from Joliet Correctional Center in Joliet, Illinois. With a pair of Chicago businesses, including a car lot, as fronts for his criminal enterprise, he sets out to fulfill the missing part of his life vision: a family with Jessie, a cashier he has begun dating.

Editorial summary

“Thief (film)” enters the record as 1981 film by Michael Mann. Crown Archives preserves that source wording while asking what Thief, film and Michael can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1981, 1975—that can be checked directly. The authority record carries competing date values—1981-01-01, 1981-08-27, 1981-03-27—which should remain separate until their references and qualifiers are resolved. Its strongest next move is a source search built around Thief, film and Michael.
Editorial analysis

Why this record matters

“Thief (film)” is worth following because a concise public description often conceals a longer documentary argument. Here, Thief, film and Michael provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 10, 2026. The linked authority identifier is Q1193098. 3 of 3 selected statements include explicit references; 2 carry qualifiers and 0 use preferred rank. The first chronological checks are 1981 and 1975.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Thief (film)”, its source revision and the description used here.
  2. Expand the search: follow Thief (film) primary sources, Thief (film) archive and Thief research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Thief (film)”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from Thief (film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.