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Vergnügte Ruh, beliebte Seelenlust, BWV 170

church cantata for solo alto by Johann Sebastian Bach

Architectural plans, a scale model, maps and brass measuring instruments
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 28, 2026
Entity authorityQ1627068 ↗
Source-derived summary

Johann Sebastian Bach composed Vergnügte Ruh, beliebte Seelenlust (Delightful rest, beloved pleasure of the soul), BWV 170, a church cantata for the sixth Sunday after Trinity in Leipzig. It is a solo cantata for alto that he first performed on 28 July 1726.

Due to circumstances during Bach's first years as Thomaskantor in Leipzig, the cantata became his first extant contribution for the occasion, as part of his third cantata cycle. He took the text from Georg Christian Lehms' 1711 collection Gottgefälliges Kirchen-Opfer, which paraphrases the prescribed Gospel from the Sermon on the Mount. He set it in five movements, alternating arias and recitatives. A small Baroque ensemble features oboe d'amore and an obbligato organ besides strings and basso continuo.

History and words

Bach composed the cantata in Leipzig for the Sixth Sunday after Trinity. The prescribed readings for the Sunday are from the Epistle to the Romans, "By Christ's death we are dead for sin" (Romans 6:3–11), and from the Gospel of Matthew a passage from the Sermon on the Mount about better justice than the justice of merely observing laws and rules (Matthew 5:20–26). The text of the cantata is drawn from Georg Christian Lehms' Gottgefälliges Kirchen-Opfer (1711) and speaks of the desire to lead a virtuous life and so enter heaven and avoid hell.

Bach first performed the cantata on 28 July 1726.

Editorial summary

The public source identifies “Vergnügte Ruh, beliebte Seelenlust, BWV 170” as church cantata for solo alto by Johann Sebastian Bach. This brief keeps that definition visible, then builds a research path around Vergnügte, beliebte and Seelenlust.

Editorial reviewA strong orientation record where physical form, institutional use and historical geography need to be read together. The current lead gives the account dated anchors—1726, 1711—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Vergnügte, beliebte and Seelenlust providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Vergnügte Ruh, beliebte Seelenlust, BWV 170”, the useful work is to connect “church cantata for solo alto by Johann Sebastian Bach” to the records capable of establishing context and consequence.

Evidence profile

Maps, plans, fabric surveys and administrative records can establish how the site’s name, extent and function changed over time. The source revision retrieved here is dated Aug 28, 2026. The linked authority identifier is Q1627068. VIAF identifies the subject as 179502814. The Library of Congress control number is n84072774. None of the 2 selected statements returned an explicit reference. The first chronological checks are 1726 and 1711.

Critical limits

Architectural summaries often privilege surviving fabric and can understate demolished phases, contested use or displaced communities. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

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Source & attribution

This entry incorporates text from “Vergnügte Ruh, beliebte Seelenlust, BWV 170” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.