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Valerie Hoffman

American film producer

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 15, 2026
Entity authorityQ7911285 ↗
Source-derived summary

Valerie Hoffman (aka Valerie Howlett-Hoffman and Valerie Howlett) is an American film and television producer.

Background

According to her official biography on the Canyon Entertainment website, she began her career at a CBS affiliate in Providence, Rhode Island, and received a degree in Business Management from Stonehill College. She moved to Los Angeles, California to begin work in the film industry and started as a production assistant on an independent film before moving to Production Coordinator for many of her next projects, working on both studio and independent projects.

Career

Under her various names, she has worked on numerous films as either a Production Manager, Line Producer, or Film Producer. Her film credits include the Las Vegas portion of Get Carter, the Las Vegas portion of 3000 Miles to Graceland, Jeepers Creepers, Knockout, Nice Guys Sleep Alone, and Say it in Russian. She also co-produced the films The Woodsman, Shadowboxer and Tennessee.

Current

Ben Kingsley announced SBK-Pictures with producing partners Simone Sheffield and Valerie Hoffman as readying six projects and currently producing a film on the Native American Conley Sisters title Whispers Like Thunder, to be released in 2009. Kingsley will be playing the role of Charles Curtis, the first and only Native American to become vice-president of the United States.

Editorial summary

This brief starts where responsible research should: with the source description of “Valerie Hoffman” as american film producer. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—2009—that can be checked directly. The linked authority record independently contributes the date 1901. The account is most persuasive where Valerie, Hoffman and American can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as american film producer. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Jul 15, 2026. The linked authority identifier is Q7911285. None of the 1 selected statements returned an explicit reference. The first chronological checks are 2009.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Valerie Hoffman”, its source revision and the description used here.
  2. Expand the search: follow Valerie Hoffman primary sources, Valerie Hoffman archive and Valerie research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Valerie Hoffman”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “Valerie Hoffman” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.