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Valentina Kachouba

Russian ballet dancer

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 24, 2025
Entity authorityQ61816719 ↗
Source-derived summary

Valentina Kachouba (May 14, 1898 – 12 January 1997), also written as Valentine Kashuba, was a Russian ballet dancer, a member of Diaghilev's Ballets Russes company from 1916 and 1921; as one of the last surviving members of the troupe, her memories and photographs were considered especially valuable as a record of the ballet and its members.

Early life

Kachouba was said to be from Moscow, or in some publicity, the daughter of a guard officer and a Persian princess in Samarkand.

Career

Kachouba was a member of the Ballets Russes when it toured with Sergei Diaghilev in 1916. Other dancers in the troupe at the time included Xenia Makletzova, Lydia Sokolova, Léonide Massine, Adolf Bolm, Enrico Cecchetti, Nicolas Zverev, Flore Revalles, Lydia Lopokova, and Ekaterina Galanta. In 1918 she was with the Salvati Opera Company in Peru, when she gave an impromptu speech about Russia during Armistice celebrations in Lima.

Kachouba danced in New York in 1926, announcing astrological and mystical inspirations for her dances (or "plastomimic preachings", as she described her work). "I will dance only in a solemn atmosphere," she promised, dismissing vaudeville venues, "an observatory, lecture hall, temple, or, perhaps, something that I will build myself." She danced at the Metropolitan Opera House in 1929, in Stravinsky's Les Noces, under the direction of Leopold Stokowski, with other performers including Aaron Copland, Nina Koshetz, and Sophie Braslau. In 1931 and 1932, she was in the large casts of charity shows at Madison Square Garden, both benefiting the Judson Health Center.

Kachouba lived her later years in Madrid, where she taught ballet and produced dance programs; she also designed ballet costumes and sets. In 1979, Kachouba gave an oral history interview for the New York Public Library's Dance Audio Archive.

Editorial summary

The public source identifies “Valentina Kachouba” as russian ballet dancer. This brief keeps that definition visible, then builds a research path around Valentina, Kachouba and Russian.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1898, 1997, 1916, 1921—that can be checked directly. The linked authority record independently contributes the date 1898-05-14. Its value is orientation rather than verdict, with Valentina, Kachouba and Russian providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Valentina Kachouba”, the useful work is to connect “russian ballet dancer” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated May 24, 2025. The linked authority identifier is Q61816719. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1898, 1997, 1916 and 1921.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  1. Establish the record: confirm the title “Valentina Kachouba”, its source revision and the description used here.
  2. Expand the search: follow Valentina Kachouba primary sources, Valentina Kachouba archive and Valentina research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

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Source & attribution

This entry incorporates text from “Valentina Kachouba” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.