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VIS Idoli (EP)

first album of the Serbian band VIS Idoli

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 22, 2026
Entity authorityQ7907082 ↗
Source-derived summary

VIS Idoli, also known as Mini LP, was the first and only EP by the Serbian new wave band Idoli. The cover of the EP is the Red Nude, an act by Amedeo Modigliani.

History

The euphoria Idoli have made with their single "Maljčiki" / "Retko te viđam sa devojkama" resulted a great expectation on the next release. The band entered the studio in April 1981. Photographs from the recording sessions were released in newspapers and magazines. The band recorded six songs, including two cover versions. The whole material was released on a 12" self-titled EP.

The band covered Chuck Berry's hit "Come On" (1961) in an Elvis Costello style—but with lyrics in Serbian—retitled "Hajde!", and Vlastimir "Đuza" Stojiljković's "Devojko mala" (1958) from the 1960 film Ljubav i moda. The lyrics for the opening track "Dok dobuje kiša (u ritmu tam-tama)" were taken from Nebojša Krstić's poetry book O, ima načina. "Hajde!" appeared on The Promising Boy movie soundtrack.

The record design and production was done by Ivan "Piko" Stančić and the cover was chosen to be The Red Nude by Amedeo Modigliani.

Editorial summary

“VIS Idoli (EP)” enters the record as first album of the Serbian band VIS Idoli. Crown Archives preserves that source wording while asking what Idoli, first and album can confirm, complicate or overturn.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1981, 1961, 1958, 1960—that can be checked directly. The linked authority record independently contributes the date 1981. Its strongest next move is a source search built around Idoli, first and album.
Editorial analysis

Why this record matters

“VIS Idoli (EP)” is worth following because a concise public description often conceals a longer documentary argument. Here, Idoli, first and album provides the most credible route into that argument.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Jun 22, 2026. The linked authority identifier is Q7907082. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1981, 1961, 1958 and 1960.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “VIS Idoli (EP)”, its source revision and the description used here.
  2. Expand the search: follow VIS Idoli (EP) primary sources, VIS Idoli (EP) archive and Idoli research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “VIS Idoli (EP)”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “VIS Idoli (EP)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.