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Dirty Projectors (album)

album by Dirty Projectors

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 17, 2025
Entity authorityQ28824056
Source-derived summary

Dirty Projectors is the seventh studio album by American experimental rock group Dirty Projectors, which was released on Domino Records on February 21, 2017.

The album deals with themes of break-up, depression, and reconciliation, following the breakup of Longstreth and Coffman and the ensuing 4-year hiatus in the band's activities. It makes use of more DAW-inspired techniques than the previous 3 albums, similar to their 4th album glitch opera The Getty Address, this time including wholly synthesised sounds in a clear stylistic departure from earlier recordings, Longstreth having previously stated 'I don't like synthesisers'.

Reception

Dirty Projectors received positive reviews from music critics, holding a rating of 77 out of 100 on the review aggregator website Metacritic.

Editorial summary

“Dirty Projectors (album)” enters the record as album by Dirty Projectors. Crown Archives preserves that source wording while asking what Dirty, Projectors and album can confirm, complicate or overturn.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—2017—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Dirty, Projectors and album.
Editorial analysis

Why this record matters

“Dirty Projectors (album)” is worth following because a concise public description often conceals a longer documentary argument. Here, Dirty, Projectors and album provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated May 17, 2025. The linked authority identifier is Q28824056. The first chronological checks are 2017.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Dirty Projectors (album)”, its source revision and the description used here.
  2. Expand the search: follow Dirty Projectors (album) primary sources, Dirty Projectors (album) archive and Dirty research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from Dirty Projectors (album)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.