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Up for Grabs (play)

play by David Williamson

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 30, 2026
Entity authorityQ282756 ↗
Source-derived summary

Up For Grabs is a 2002 play by Australian playwright David Williamson.

Singer and actress Madonna starred in the play's London West End theatre version.

Background

Williamson's play focuses on the growing Australian art market from 1990 to the present, the auction sales of which increased from $17 million in 1990 to $90 million in 2002. According to investment analysts, art has been the fourth best-performing asset in Australia for the ten years to 2002. This pushed contemporary Australian art prices to new highs, with Brett Whiteley's "The Jacaranda Tree" fetching $1.9 million in 1999.

The boom was fueled by the Dot com boom years, and Williamson also addresses six of the seven deadly sins (Pride, Lust, Avarice (Greed), Envy, Wrath, Gluttony), to address the "anything goes" personal and sexual excesses of the time. It is a play of bad manners, an analysis of how wealth and power can corrupt the arts.

Plot

The story deals with the efforts of Simone, a young fledgling art dealer, to sell a painting by Australian artist Brett Whitely for a record $2 million and thereby establish herself at the “big end of town.” This ambition turns to desperation when she signs a contract guaranteeing this price, putting both her own and her partner Gerry's assets on the line.

Simone, who has a small list of clients with the sort of money needed for this kind of transaction, sets up an unofficial auction to push up the price. Her prospective buyers include Dawn Grey, a corporate art buyer still frustrated that she did not have what it takes to be a great artist; Kel and Mindy, a young dotcom couple with more money than sense; and Manny and Felicity, a wealthy but unhappy couple looking for a suitable trophy.

Editorial summary

“Up for Grabs (play)” enters the record as play by David Williamson. Crown Archives preserves that source wording while asking what Grabs, play and David can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2002, 1990, 1999—that can be checked directly. The linked authority record independently contributes the date 2001. Its strongest next move is a source search built around Grabs, play and David.
Editorial analysis

Why this record matters

“Up for Grabs (play)” is worth following because a concise public description often conceals a longer documentary argument. Here, Grabs, play and David provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 30, 2026. The linked authority identifier is Q282756. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2002, 1990 and 1999.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Up for Grabs (play)”, its source revision and the description used here.
  2. Expand the search: follow Up for Grabs (play) primary sources, Up for Grabs (play) archive and Grabs research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Up for Grabs (play)”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Up for Grabs (play)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.