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Untamable Angelique

1967 film directed by Bernard Borderie

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 11, 2026
Entity authorityQ1819137
Source-derived summary

Untamable Angelique (French: Indomptable Angélique) is a 1967 historical adventure film directed by Bernard Borderie and starring Michèle Mercier, Robert Hossein and Roger Pigaut. It was made as a co-production between France, Italy and West Germany. It was the fourth in the five film series based on the novels by Anne and Serge Golon.

The film's sets were designed by the art director Robert Giordani. It was shot at Cinecittà Studios in Rome.

Synopsis

After discovering that her first husband is still alive, Angélique travels to the South of France not knowing that he is now a notorious pirate. Captured by some slave traders she is taken to Crete where she is intended to be sold.

Main cast

Michèle Mercier as Angélique de Peyrac

Robert Hossein as Jeoffrey de Peyrac

Roger Pigaut as Le Marquis d'Escrainville

Christian Rode as Le Duc de Vivonne

Ettore Manni as Jason

Bruno Dietrich as Coriano

Pasquale Martino as Savary

Sieghardt Rupp as Millerand

Poldo Bendandi as Angélique's buyer

Production

Michèle Mercier revealed that she got hurt during the gang rape scene: "Angelica is thrown into the hold where four prisoners are. They were inexperienced extras. They really rushed on me.

Editorial summary

The public source identifies “Untamable Angelique” as 1967 film directed by Bernard Borderie. This brief keeps that definition visible, then builds a research path around Untamable, Angelique and film.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1967—that can be checked directly. The linked authority record independently contributes the date 1967-01-01. Its value is orientation rather than verdict, with Untamable, Angelique and film providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Untamable Angelique”, the useful work is to connect “1967 film directed by Bernard Borderie” to the records capable of establishing context and consequence.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jul 11, 2026. The linked authority identifier is Q1819137. VIAF identifies the subject as 305896010. 1 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1967.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
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Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Untamable Angelique”, its source revision and the description used here.
  2. Expand the search: follow Untamable Angelique primary sources, Untamable Angelique archive and Untamable research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Untamable Angelique”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Untamable Angelique” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.