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Under the Bombs

2007 film by Philippe Aractingi

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 1, 2026
Entity authorityQ1396618
Source-derived summary

Under the Bombs (French: Sous les bombes, Arabic: تحت القصف; taht alqasf) is a 2007 Lebanese drama film directed by Philippe Aractingi. The film is set in Lebanon at the end of the 2006 Lebanon War.

Plot

Although she grew up in Lebanon, wealthy Lebanese Muslim Zeina Nasrueddi (Nada Abu Farhat) has been living in Dubai with her architect husband and son, Karim. Marital difficulties led her to send her son to spend the summer with her sister Maha in Lebanon. When the 2006 Lebanon War began she traveled to Beirut via Turkey. In order to find her son, she hires Lebanese Christian taxi driver Tony (Georges Khabbaz) to drive her to Southern Lebanon. In their search for Maha and Karim, they encounter the devastation wrought by the war and learn each other's personal secrets, including the fact that Tony's brother was a member of the South Lebanon Army and is now living in exile in Israel.

Cast

Nada Abou Farhat as Zeina

Georges Khabbaz as Tony

Release

Under the Bombs was one of two films shown at the 2008 Sundance Film Festival on the 2006 Lebanon War. The other was Guy Nattiv and Erez Tadmor's Strangers.

The film was presented in 2008 as part of the Giornate degli Autori - Venice days, a parallel section of the Venice film festival.

Editorial summary

Begin with the source’s own compact description: “Under the Bombs” is 2007 film by Philippe Aractingi. The dossier treats that line as a proposition to test through Bombs, film and Philippe, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2007, 2006, 2008—that can be checked directly. The authority record carries competing date values—2007-01-01, 2008-01-01—which should remain separate until their references and qualifiers are resolved. For this dossier, Bombs, film and Philippe is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “2007 film by Philippe Aractingi” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 1, 2026. The linked authority identifier is Q1396618. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2007, 2006 and 2008.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Under the Bombs”, its source revision and the description used here.
  2. Expand the search: follow Under the Bombs primary sources, Under the Bombs archive and Bombs research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Under the Bombs”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from Under the Bombs” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.