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Undeniably the Whitlams

album by The Whitlams

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 2, 2026
Entity authorityQ7883038 ↗
Source-derived summary

Undeniably the Whitlams is the second studio album by Australian band the Whitlams, released by Black Yak / Phantom in 1995. Due to popular request, it was re-released in 2001 as Undeniably the Whitlams - Reworked. It is their last album to feature guitarist Stevie Plunder.

Reworked edition

In 2001, Tim Freedman reworked much of the album, dedicating it to the memory of Stevie Plunder and Andy Lewis. Freedman explained that the original recordings and mixings had been rushed, and that these new versions were more comparable to the band's original vision.

Roughly half of the album was left as is, while "Met My Match", "Following My Own Tracks", "1995", "End of Your World" and "Shining" were remixed, often resulting in a marked difference from the originals. As well as this, "I Make Hamburgers" was replaced on the album with its single mix, and two previously unreleased songs, "Why Doesn't Andy?" and "Where Are You?" were included.

Initially, these two new tracks were scarcely anything more than demos, and were eventually fleshed out by Freedman, aided by current Whitlams members Jak Housden and Terepai Richmond.

Track listing

"Peter Collard" (S. Plunder) – 3:14

"Met My Match" (T. Freedman, A. Lewis) – 3:36

"Following My Own Tracks" (S. Plunder) – 3:32

"1995" (T. Freedman, A. Lewis, S. Plunder) – 4:41

"End of Your World" (S. Plunder) – 4:40

"Pass the Flagon" (S. Plunder) – 3:32

"I Make Hamburgers" (T. Freedman) – 3:36

"You'll Find a Way" (T. Freedman) – 4:25

"Don't Love Too Long" (T. Freedman after W.B. Yeats) – 2:46

"You Don't Even Know My Name" (S. Plunder) – 3:01

"Shining" (S. Plunder) – 4:15

"I Get High" (T. Freedman, S. Plunder) – 3:21

"Hollow Log" (S. Plunder) – 2:07

"If I Only Had a Brain" (E. Harburg, H. Arlen) – 2:19

"I'm Still Faithful" (T. Freedman) – 0:56

2001 Bonus Tracks

"Why Doesn't Andy?" (T. Freedman) – 3:10

"Where Are You?" (S. Plunder) – 4:34

Both the original and the reworked versions of the album contain an unlisted final track, featuring snippets of songs, radio interviews, phone calls, etc. These are 5:02 and 5:40 in length on the original and reworked, respectively.

Editorial summary

Begin with the source’s own compact description: “Undeniably the Whitlams” is album by The Whitlams. The dossier treats that line as a proposition to test through Undeniably, Whitlams and album, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1995, 2001—that can be checked directly. The linked authority record independently contributes the date 1994. For this dossier, Undeniably, Whitlams and album is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “album by The Whitlams” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Aug 2, 2026. The linked authority identifier is Q7883038. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1995 and 2001.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Undeniably the Whitlams”, its source revision and the description used here.
  2. Expand the search: follow Undeniably the Whitlams primary sources, Undeniably the Whitlams archive and Undeniably research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Undeniably the Whitlams”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “Undeniably the Whitlams” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.