CACrown ArchivesThe cinema collection
Menu
Research dossier · General Reference

Three Concert Études

collection of études composed by Franz Liszt

Cross-disciplinary reference desk with index cards, atlas, dictionary and catalogue
General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 7, 2026
Entity authorityQ591072
Source-derived summary

Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.

As the title indicates, they are intended not only for the acquisition of a better technique, but also for concert performance. Liszt was himself a virtuoso pianist and was able to easily play many complex patterns generally considered difficult. The Italian subtitles now associated with the études—Il lamento ("The Lament"), La leggierezza ("Lightness"), and Un sospiro ("A sigh")—first appeared in the French edition.

Étude No. 1, Il lamento

Il lamento is the first of the études. Written in A♭ major, it is among Liszt's longest pieces in the genre. It starts with a four-note lyrical melody which folds itself through the work, followed by a chromatic pattern which reappears again in the coda. Although the piece opens and ends in A♭ major, it shifts throughout its three parts to many other keys, A, G, D♯, F♯ and B among them.

Étude No.

Editorial summary

Begin with the source’s own compact description: “Three Concert Études” is collection of études composed by Franz Liszt. The dossier treats that line as a proposition to test through Three, Concert and Études, not as a finished interpretation.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1845—that can be checked directly. The linked authority record independently contributes the date 1849. For this dossier, Three, Concert and Études is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “collection of études composed by Franz Liszt” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Jun 7, 2026. The linked authority identifier is Q591072. VIAF identifies the subject as 177009743. None of the 2 selected statements returned an explicit reference. The first chronological checks are 1845.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
Verify next

The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “Three Concert Études”, its source revision and the description used here.
  2. Expand the search: follow Three Concert Études primary sources, Three Concert Études archive and Three research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Three Concert Études”?
  2. Which institution is responsible for the underlying evidence?
  3. Which cited source is closest to the event, object or claim?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Three Concert Études” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.