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Un re in ascolto

opera by Luciano Berio

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionNov 24, 2025
Entity authorityQ7882067 ↗
Source-derived summary

Un re in ascolto (A King Listens) is an opera by Luciano Berio, who also wrote the Italian libretto. It is based on a short story from the collection Under the Jaguar Sun by Italo Calvino, but incorporates excerpts from Friedrich Einsiedel's 1778 libretto (as reworked by Friedrich Wilhelm Gotter between 1790 and 1791) for an opera based on Shakespeare's The Tempest. This became Die Geisterinsel in 1798, set to music written by Friedrich Fleischmann. In addition, W. H. Auden's The Sea and the Mirror: A Commentary on Shakespeare's The Tempest was a source.

Berio himself described the work as an azione musicale (musical action) rather than an opera. It falls into 19 sections grouped into two parts. The work was written from 1981 to 1983 and it received its premiere at the Kleines Festspielhaus in Salzburg on 7 August 1984, conducted by Lorin Maazel, directed by Götz Friedrich, with set designs by Günther Schneider-Siemssen. The London premiere took place on 9 February 1989 at the Royal Opera House, Covent Garden. The American premiere was at Lyric Opera of Chicago on 9 November 1996, conducted by Dennis Russell Davies.

Roles

Synopsis

The opera does not have a conventional linear narrative.

Editorial summary

“Un re in ascolto” enters the record as opera by Luciano Berio. Crown Archives preserves that source wording while asking what ascolto, opera and Luciano can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1778, 1790, 1791, 1798—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around ascolto, opera and Luciano.
Editorial analysis

Why this record matters

“Un re in ascolto” is worth following because a concise public description often conceals a longer documentary argument. Here, ascolto, opera and Luciano provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Nov 24, 2025. The linked authority identifier is Q7882067. VIAF identifies the subject as 182037981. The Library of Congress control number is n2011056000. None of the 2 selected statements returned an explicit reference. The first chronological checks are 1778, 1790, 1791 and 1798.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Un re in ascolto”, its source revision and the description used here.
  2. Expand the search: follow Un re in ascolto primary sources, Un re in ascolto archive and ascolto research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Un re in ascolto”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from “Un re in ascolto” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.