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Überläufer

German film

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 26, 2026
Entity authorityQ332936
Source-derived summary

In German film history, an Überläufer (lit. defector) is a film that was in production under the Third Reich but completed or premiered only after the end of the Second World War. The vast majority of Überläufer films are romantic comedies with no reference to the political and military situation of the time.

Completed shortly before the end of the war

Eyes of Love (dir. Alfred Braun)

Friday the Thirteenth (dir. Erich Engels)

Ghost in the Castle (dir. Hans H. Zerlett)

How Do We Tell Our Children? (dir. Hans Deppe)

In the Temple of Venus (dir. Hans H. Zerlett)

Insolent and in Love (dir.

Editorial summary

Begin with the source’s own compact description: “Überläufer” is german film. The dossier treats that line as a proposition to test through Überläufer, German and film, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current 104-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The selected authority fields contribute no independent date. For this dossier, Überläufer, German and film is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “german film” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 26, 2026. The linked authority identifier is Q332936. None of the 0 selected statements returned an explicit reference.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Überläufer”, its source revision and the description used here.
  2. Expand the search: follow Überläufer primary sources, Überläufer archive and Überläufer research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Überläufer”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Überläufer” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.