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Tune Up

composition written by Eddie Vinson and popularized by Miles Davis

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 28, 2026
Entity authorityQ112788281
Source-derived summary

"Tune Up" or "Tune-Up" is a composition by Eddie Vinson, but is traditionally credited to Miles Davis, who first recorded and popularized it. It has become a jazz standard.

Background and history

"Tune Up" was first recorded on May 19, 1953, with John Lewis on piano, and first appeared on the Miles Davis album Blue Haze, released in 1956, for the Prestige label. John Coltrane was a member of both Vinson's band in the late 1940s and the Miles Davis Quintet and performed the tune on numerous occasions while with Davis.

According to Jack Chamber in his book Milestones: The Music in Times of Miles Davis, both "Four" and "Tune Up" were always credited to Davis for decades, and nobody objected to the false crediting until decades later. Vinson was a blues singer at the time and had no use for the tune. Davis is documented to have also recorded the tune on November 12, 1956, and November 30, 1957, both while in Paris. Wes Montgomery recorded it in October 1960 for his album Movin' Along, and three takes of the tune appeared on his 1963 album Fusion! Wes Montgomery with Strings.

Composition

The tune is typically played in the key of D major, though also modulates through the tonal centres of C major and Bb major.

Editorial summary

This brief starts where responsible research should: with the source description of “Tune Up” as composition written by Eddie Vinson and popularized by Miles Davis. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1953, 1956, 1957, 1960—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Tune, composition and written can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as composition written by Eddie Vinson and popularized by Miles Davis. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Jun 28, 2026. The linked authority identifier is Q112788281. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1953, 1956, 1957 and 1960.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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Source & attribution

This entry incorporates text from Tune Up” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.