Trozos de Mi Alma, Vol. 2
album by Marco Antonio Solís

Trozos de Mi Alma, Vol. 2 (English: Pieces of My Soul, Vol. 2) is the seventh studio album recorded by Mexican singer-songwriter Marco Antonio Solís. It was released by Fonovisa Records on September 26, 2006 (see 2006 in music). It became his sixth number-one set on the Billboard Top Latin Albums. Like his 1999 release Trozos de Mi Alma, this album includes songs written by Solís that were previously recorded by other artists, such as Laura Flores ("Antes de Que Te Vayas" and Te Voy a Esperar"), his brother José Javier Solís ("Quien Se Enamoró"), Pablo Montero ("Pídemelo Todo"), Victoria ("Hay Veces"), Rocío Dúrcal ("Extráñandote" and "Yo Creía Que Sí"), Paulina Rubio ("Ojalá") and Marisela ("Dios Bendiga Nuestro Amor" and "No Puedo Olvidarlo"). The album was released in a standard CD presentation and in a CD/DVD combo, including the music video for the first single "Antes de Que Te Vayas", the track "Sin Lado Izquierdo" (first included on his album Razón de Sobra) and bonus materials. It received a nomination for a Grammy Award for Best Latin Pop Album. “Antes de Que Te Vayas" served as the opening theme for the Mexican telenovela Mundo de Fieras (2006–2007), produced by Salvador Mejía Alejandre starring César Évora, Gaby Espino, and Edith González.
“Trozos de Mi Alma, Vol. 2” enters the record as album by Marco Antonio Solís. Crown Archives preserves that source wording while asking what Trozos, Alma and album can confirm, complicate or overturn.
Why this record matters
“Trozos de Mi Alma, Vol. 2” is worth following because a concise public description often conceals a longer documentary argument. Here, Trozos, Alma and album provides the most credible route into that argument.
Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 8, 2025. The linked authority identifier is Q16966557. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2006, 1999 and 2007.
Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Trozos de Mi Alma, Vol. 2”, its source revision and the description used here.
- Expand the search: follow Trozos de Mi Alma, Vol. 2 primary sources, Trozos de Mi Alma, Vol. 2 archive and Trozos research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Trozos de Mi Alma, Vol. 2”?
- Where is authorship, date or provenance documented?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “Trozos de Mi Alma, Vol. 2” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.