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Toutes peines confondues (film)

1992 film by Michel Deville

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 3, 2026
Entity authorityQ3535879 ↗
Source-derived summary

Toutes peines confondues is a 1992 French crime drama film starring Mathilda May. It was filmed and produced at locations in France and Switzerland, and bases on the 1985 novel Sweetheart by Andrew Coburn.

Plot

The French detective superintendent Christophe Vade (Patrick Bruel) investigates the murder of an elderly French couple in the French Alps. In the course of his investigation, he encounters Jeanne Gardella (Mathilda May), the wife of the businessman Antoine Gardella (Jacques Dutronc), a member of an organized crime family, and the son of the murdered couple. Antoine Gardella and his wife Jeanne live harmoniously, but Jeanne Gardella was forced by Thurson (Vernon Dobtcheff), a dubious agent of Interpol, to take her "role as wife" in the context of an undercover action against the European organized crime. Despite his criminal background, Jeanne loves her husband. Thurson also urges Christophe Vade to investigate Gardella and his wife in connection with the murder of those parents, and to get an additional pressure medium to gouge Jeanne Gardella to continue that farce. Thurson does not explain that plan either to inspector Vade or Jeanne Gardella, who he falls in love with, finally tolerated by Antoine Gardella who accepts that his wife was forced to that undercover action by Thurson. Tightly interwoven with the main story, the subplot plays in the milieu of the Swiss city of Zürich, and the advances of the brutal and corrupt city police officer Scatamacchia (Hans Heinz Moser) against a hostess allow a very personal view on Scandurat (Bruce Myers), Gardella's business partner and close friend. Finally, Gardella is forced to kill Vade and Jeanne, but refuses and choices suicide, to meet the unwritten rules within the organized crime.

Editorial summary

The public source identifies “Toutes peines confondues (film)” as 1992 film by Michel Deville. This brief keeps that definition visible, then builds a research path around Toutes, peines and confondues.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1992, 1985—that can be checked directly. The authority record carries competing date values—1992-04-08, 1992-08-27—which should remain separate until their references and qualifiers are resolved. Its value is orientation rather than verdict, with Toutes, peines and confondues providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Toutes peines confondues (film)”, the useful work is to connect “1992 film by Michel Deville” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Mar 3, 2026. The linked authority identifier is Q3535879. 2 of 2 selected statements include explicit references; 2 carry qualifiers and 0 use preferred rank. The first chronological checks are 1992 and 1985.

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Source & attribution

This entry incorporates text from “Toutes peines confondues (film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.