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To the Manor Born

BBC television sitcom

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 14, 2026
Entity authorityQ1756461
Source-derived summary

To the Manor Born is a BBC television sitcom that first aired on BBC1 from 1979 to 1981. A special one-off episode was produced in 2007. Starring Penelope Keith and Peter Bowles, the first 20 episodes and the 2007 special were written by Peter Spence, the creator, while the final episode in 1981 was written by script associate Christopher Bond. The title is a play on the phrase "to the manner born", from Shakespeare's Hamlet ("Though I am a native here and to the manner born, it is a custom more honoured in the breach than the observance".).

In To the Manor Born, Penelope Keith (who was previously best known for her role as social-climber Margo Leadbetter in the suburban sitcom The Good Life), plays upper-class Audrey fforbes-Hamilton. Upon the death of her husband, Audrey is forced to sell her vast country estate, Grantleigh Manor. However, she then moves into the estate's small, modest lodge house (where she can keep an eye on the estate's new owner) and manages to keep her butler and her much loved Rolls-Royce 20/25 car. The manor is bought by Richard DeVere (played by Peter Bowles), a nouveau riche millionaire supermarket owner originally from Czechoslovakia. DeVere and fforbes-Hamilton have a love-hate relationship.

The programme proved popular and it received high audience figures for many of its episodes, especially the series 1 final episode, the most watched British television programme (excluding live events) of the 1970s.

Editorial summary

“To the Manor Born” enters the record as bBC television sitcom. Crown Archives preserves that source wording while asking what Manor, Born and television can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1979, 1981, 2007—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Manor, Born and television.
Editorial analysis

Why this record matters

“To the Manor Born” is worth following because a concise public description often conceals a longer documentary argument. Here, Manor, Born and television provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 14, 2026. The linked authority identifier is Q1756461. The first chronological checks are 1979, 1981 and 2007.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “To the Manor Born”, its source revision and the description used here.
  2. Expand the search: follow To the Manor Born primary sources, To the Manor Born archive and Manor research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “To the Manor Born”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from To the Manor Born” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.