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To Live Is to Die

song composed by Cliff Burton with lyrics by Paul Gerhardt, Cliff Burton performed by Metallica

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 4, 2026
Entity authorityQ2038875
Source-derived summary

"To Live Is to Die" is a song by the American heavy metal band Metallica from their fourth studio album, ...And Justice for All, released on September 7, 1988. Made as a tribute to their former bassist Cliff Burton, who died two years before the song's release, the heavy metal track is built on a riff that he wrote before his death. Though predominantly an instrumental, it incorporates a spoken word section where James Hetfield recites a poem written by Burton, with some lines taken from German poet Paul Gerhardt and American novelist Stephen R. Donaldson.

The song has received positive responses from music critics, many of whom commented on its role as a tribute and its associated sentimental value. Metallica initially went several years without performing the song in their live concerts due to the emotional context behind it. They played the song in full for the first time during one of the performances of their 30th anniversary celebration at The Fillmore in 2011, after their current bassist Robert Trujillo pushed for it to be played.

Background

Metallica released their third studio album, Master of Puppets, in 1986. To promote the album, the band embarked on the Damage, Inc. Tour throughout that year. On September 27, 1986, shortly after playing a show in Stockholm, the band's tour bus crashed and ended up crushing their then-bassist Cliff Burton, killing him.

Editorial summary

Begin with the source’s own compact description: “To Live Is to Die” is song composed by Cliff Burton with lyrics by Paul Gerhardt, Cliff Burton performed by Metallica. The dossier treats that line as a proposition to test through Live, song and composed, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1988, 2011, 1986—that can be checked directly. The linked authority record independently contributes the date 1988. For this dossier, Live, song and composed is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “song composed by Cliff Burton with lyrics by Paul Gerhardt, Cliff Burton performed by Metallica” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 4, 2026. The linked authority identifier is Q2038875. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1988, 2011 and 1986.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “To Live Is to Die”, its source revision and the description used here.
  2. Expand the search: follow To Live Is to Die primary sources, To Live Is to Die archive and Live research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “To Live Is to Die”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from To Live Is to Die” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.