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To Fear a Painted Devil

1965 novel by Ruth Rendell

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 11, 2026
Entity authorityQ7810925
Source-derived summary

To Fear a Painted Devil is a novel by British writer Ruth Rendell published in 1965 by John Long Ltd in the UK and Doubleday in the US. Her second book, it is a stand-alone crime thriller in which "there is less reliance on suspense and the main focus is on the motivation of the murderer". There is also a social preoccupation, with interacting characters drawn from many strata of society.

The title of the novel alludes to a passage from Macbeth, where Lady Macbeth chides her husband, who has just killed the king: "Tis the eye of childhood / That fears a painted devil". In terms of Rendell's plot, it refers to Patrick Selby's association of seeing the picture of the beheaded John the Baptist with the time he suffered a near-fatal bee sting, as related in the prologue.

Setting

Henry Glide had bought the grounds of the former Linchester Manor for development. At first he built three modest chalet-style bungalows, now divided by a band of trees from the more up-market houses lived in by commuting Nottingham businessmen and built around a central green with a pond. At the edge of the development is a strip of woodland, beyond which are the converted 18th century almshouses in which lives Crispin Marvell, son of the former estate owner, who spends his time raising bees and trying to finish writing a history of the estate.

The most prosperous property is a modernistic house called The Hallows, where Patrick Selby lives with his wife (and first cousin), the empty-headed Tamsin. Patrick has earned the dislike of most of the people at Linchester. To begin with, there is Tamsin herself, over whom he domineers and whose affair with one resident he has broken up, although at the same time conducting an affair himself with another.

Editorial summary

The public source identifies “To Fear a Painted Devil” as 1965 novel by Ruth Rendell. This brief keeps that definition visible, then builds a research path around Fear, Painted and Devil.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1965—that can be checked directly. The linked authority record independently contributes the date 1965. Its value is orientation rather than verdict, with Fear, Painted and Devil providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “To Fear a Painted Devil”, the useful work is to connect “1965 novel by Ruth Rendell” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 11, 2026. The linked authority identifier is Q7810925. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1965.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “To Fear a Painted Devil”, its source revision and the description used here.
  2. Expand the search: follow To Fear a Painted Devil primary sources, To Fear a Painted Devil archive and Fear research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “To Fear a Painted Devil”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from To Fear a Painted Devil” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.