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Timomachus

Greek painter, active 1st century BCE

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJan 9, 2026
Entity authorityQ7806922 ↗
Source-derived summary

Timomachus of Byzantium (or Timomachos, Ancient Greek: Τιμόμαχος) was an influential painter of the first century BCE.

Works

Pliny the Elder, in his Naturalis Historia (35.136), records that Julius Caesar had acquired two paintings by Timomachus, one of Ajax during his madness, and a Medea meditating the slaying of her children, which cost him the considerable sum of 80 talents. Scholars have connected these works with the carrying away of a Medea and Ajax from Cyzicus, an ancient port of Anatolia, mentioned in Cicero's In Verrem (2.4.135), and propose that Caesar acquired them there, shortly after his victory at Pharsalus. The paintings, "a pair linked to each other by their rage", were installed in front of the Temple of Venus Genetrix, and remained there until their destruction by fire in 80 CE.

The Anthology of Planudes preserves a number of epigrams on the Medea, which note its incomplete state, and praise its emotional intensity and verisimilitude. Scholars believe that two well-known depictions of Medea preserved at Pompeii were composed under the influence of Timomachus' work.

Editorial summary

Begin with the source’s own compact description: “Timomachus” is greek painter, active 1st century BCE. The dossier treats that line as a proposition to test through Timomachus, Greek and painter, not as a finished interpretation.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current 175-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The selected authority fields contribute no independent date. For this dossier, Timomachus, Greek and painter is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “greek painter, active 1st century BCE” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Jan 9, 2026. The linked authority identifier is Q7806922. VIAF identifies the subject as 95787506. None of the 4 selected statements returned an explicit reference.

Critical limits

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  2. Expand the search: follow Timomachus primary sources, Timomachus archive and Timomachus research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

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Source & attribution

This entry incorporates text from “Timomachus” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.