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Tim Parkinson

musician (born 1973)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJan 24, 2026
Entity authorityQ63456283
Source-derived summary

Tim Parkinson (born 7 July 1973) is a British experimental composer, pianist and curator. His music has been commissioned and performed by ensembles including Apartment House, the Basel Sinfonietta and the London Sinfonietta, and soloists including Anton Lukoszevieze and Rhodri Davies. It has been broadcast on BBC Radio 3, Resonance FM, WDR3 (Germany), and Radio SRF 2 Kultur (Switzerland). He is co-curator (alongside composer John Lely) of the concert series Music We'd Like to Hear, which has run since 2005, having previously organised concerts at the British Music Information Centre in London from 1997 onwards.

Education

Parkinson attended Bedford School before studying at Worcester College, Oxford and privately in Dublin with Kevin Volans, and participating in the Ostrava Days 2001. In 2011 he was visiting Professor of Composition at the Janáček Academy of Music and Performing Arts in Brno and has taught at Ashmole Academy. In 2018 he was appointed a creative fellow at the Samuel Beckett Research Centre at the University of Reading.

Style and career

His music has also been described as consisting of "melodious, somewhat Sixties sounds", inspired by an older generation of British experimental composers, such as Michael Parsons. His music exhibits a collage approach, often juxtaposing the sounds of found objects, various kinds of musical material, or snippets of speech. Parkinson himself has described his compositional methods as follows:What I want beforehand for myself is a large and unforeseen diversity of pitches and intervals – randomness, patterns, shapes – and of course there are countless ways to generate pitches… I’m quite inclusive about what pitches or intervals are presented – I like consonance and dissonance – so sometimes a sequence of notes might be reminiscent of other music, and of course it might not be reminiscent of anything to me, but it might to others… Often I have used the page as a structural unit, like a movement or a panel, and allowed the players to choose their own order of pages for a performance.Parkinson has also written music for installation art projects, such as sixty eight sounds for Welborne (2005), untitled installation (for Sound 323) (2003), for a London record shop, and ten brass for St.

Editorial summary

“Tim Parkinson” enters the record as musician (born 1973). Crown Archives preserves that source wording while asking what Parkinson, musician and born can confirm, complicate or overturn.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1973, 2005, 1997, 2001—that can be checked directly. The authority record carries competing date values—1973-07-07, 1973—which should remain separate until their references and qualifiers are resolved. Its strongest next move is a source search built around Parkinson, musician and born.
Editorial analysis

Why this record matters

“Tim Parkinson” is worth following because a concise public description often conceals a longer documentary argument. Here, Parkinson, musician and born provides the most credible route into that argument.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Jan 24, 2026. The linked authority identifier is Q63456283. VIAF identifies the subject as 41607916. The Library of Congress control number is no2007000136. 4 of 4 selected statements include explicit references; 1 carry qualifiers and 1 use preferred rank. The first chronological checks are 1973, 2005, 1997 and 2001.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

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Questions for further research

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Source & attribution

This entry incorporates text from Tim Parkinson” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.