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Tia (singer)

Japanese seiyū and singer

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 5, 2026
Entity authorityQ16029873 ↗
Source-derived summary

Tia is a Japanese singer-songwriter from Saitama who is signed to Dive II Entertainment. Discovered and produced by Ryo of Supercell, Tia made her debut signed to Aniplex in 2012 with her single "Love Me Gimme". She moved to the record label Dive II Entertainment in 2014.

Career

While attending junior-high school, Tia streamed live videos of her singing on the Niconico video sharing website. Ryo of Supercell took an interest in Tia via these broadcasts and began collaborating with Tia in 2012 when she was in high school. Tia made her debut signed to Aniplex with her single "Love Me Gimme" (ラブミーギミー) released on December 19, 2012; the song is used as the ending theme to the 2012 anime series Wooser's Hand-to-Mouth Life. She moved to the record label Dive II Entertainment in 2014 and released her second single "Heart Realize" (ハートリアライズ) on March 12, 2014; the song is used as the ending theme to the 2014 anime series Noragami. Tia graduated high school in March 2014. Tia's third single "The Glory Days" was released on October 15, 2014; the song is used as the second ending theme to the 2014 anime series Captain Earth. Her fourth single "Nirvana" (ニルバナ) was released on November 25, 2015; the song is used as the ending theme to the 2015 anime series Noragami Aragoto.

Editorial summary

“Tia (singer)” enters the record as japanese seiyū and singer. Crown Archives preserves that source wording while asking what singer, Japanese and seiyū can confirm, complicate or overturn.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—2012, 2014, 2015—that can be checked directly. The linked authority record independently contributes the date 1995-10-18. Its strongest next move is a source search built around singer, Japanese and seiyū.
Editorial analysis

Why this record matters

“Tia (singer)” is worth following because a concise public description often conceals a longer documentary argument. Here, singer, Japanese and seiyū provides the most credible route into that argument.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Sep 5, 2026. The linked authority identifier is Q16029873. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2012, 2014 and 2015.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Tia (singer)”, its source revision and the description used here.
  2. Expand the search: follow Tia (singer) primary sources, Tia (singer) archive and singer research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Tia (singer)”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which claims depend on a single source or contested interpretation?
Subject index

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Source & attribution

This entry incorporates text from “Tia (singer)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.