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Théâtre des Nouveautés

theatre at boulevard Poissonnière, Paris, France

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 14, 2026
Entity authorityQ2430641 ↗
Source-derived summary

The Théâtre des Nouveautés ("Theatre of the New") is a Parisian theatre built in 1921 and located at 24 boulevard Poissonnière (Paris, 9th arr.). The name was also used by several earlier Parisian theatre companies and their buildings, beginning in 1827.

Present theatre (boulevard Poissonnière)

The current Théâtre des Nouveautés was established in 1921 at 24 boulevard Poissonnière, (Paris, 9th arr.) under the leadership of Benoît-Léon Deutsch in collaboration with Gilbert Dupé. Built by the architect Adolf Tiers with 585 seats, the hall was inaugurated on 21 April 1921 with the play La journée des surprises ("The Day of Surprises") by Jean Bouchor. The programming was devoted to operettas and comedies. Gilbert Dupé succeeded Benoît-Léon Deutsch from 1961 to 1973. Denise Moreau-Chantegris took over in September 1973, and in 2010 Pascal Legros became the director of the theatre.

Recent productions

2009: Un oreiller … ou trois? ("One pillow … or three?") by Ray Cooney and Gene Stone, originally Why not stay for breakfast? adapted and translated by Stewart Vaughan and Jean-Claude Islert, starring Delphine Depardieu and Paul Belmondo

2010: Panique au ministère ("Panic at the Ministry") by Jean Franco and Guillaume Mélanie starring Amanda Lear

2011: Le gai mariage ("The Gay Marriage") by Gérard Bitton and Michel Munz

Earlier theatre companies using the name

The name was used for three different companies prior to inauguration of the current company in 1921.

Editorial summary

“Théâtre des Nouveautés” enters the record as theatre at boulevard Poissonnière, Paris, France. Crown Archives preserves that source wording while asking what Théâtre, Nouveautés and theatre can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1921, 1827, 1961, 1973—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Théâtre, Nouveautés and theatre.
Editorial analysis

Why this record matters

“Théâtre des Nouveautés” is worth following because a concise public description often conceals a longer documentary argument. Here, Théâtre, Nouveautés and theatre provides the most credible route into that argument.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 14, 2026. The linked authority identifier is Q2430641. Authority coordinates are 48.871, 2.345. 1 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1921, 1827, 1961 and 1973.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Théâtre des Nouveautés”, its source revision and the description used here.
  2. Expand the search: follow Théâtre des Nouveautés primary sources, Théâtre des Nouveautés archive and Théâtre research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Théâtre des Nouveautés”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Théâtre des Nouveautés” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.