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Those Who Are About to Die Salute You

studio album by Colosseum

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 5, 2026
Entity authorityQ1131034 ↗
Source-derived summary

Those Who Are About to Die Salute You is the debut album by Colosseum, released in 1969 by Fontana. It is one of the pioneering albums of jazz fusion. The title is a translation of the Latin phrase morituri te salutant that according to popular belief (but not academic agreement), gladiators addressed to the emperor before the beginning of a gladiatorial match.

The album reached number 15 in the UK Albums Chart.

Background

"Debut" is the first song Colosseum ever played as a group. Tony Reeves later recalled that "Debut" "was actually a phrase that I remembered Mick Taylor playing with John Mayall, and I changed it a bit into a bass line. [Sings the part.] And then the band all joined in – this is what happens during rehearsals – so technically you should have everybody's name in the writing credit, including, I guess, Mick Taylor's!"

"Mandarin" started from a series of sketches by Dave Greenslade that were based on a Japanese soft scale. Tony Reeves compiled the sketches into the main theme and arranged the song.

"Beware the Ides of March" borrows a theme of the fugue of "Toccata and Fugue in D minor" by Johann Sebastian Bach (Bach BWV 565).

Colosseum also recorded "I Can't Live Without You", which appears on the 2004 re-release as a bonus track.

Editorial summary

The public source identifies “Those Who Are About to Die Salute You” as studio album by Colosseum. This brief keeps that definition visible, then builds a research path around Those, Salute and studio.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1969, 2004—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Those, Salute and studio providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Those Who Are About to Die Salute You”, the useful work is to connect “studio album by Colosseum” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 5, 2026. The linked authority identifier is Q1131034. The first chronological checks are 1969 and 2004.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Those Who Are About to Die Salute You”, its source revision and the description used here.
  2. Expand the search: follow Those Who Are About to Die Salute You primary sources, Those Who Are About to Die Salute You archive and Those research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Those Who Are About to Die Salute You”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Those Who Are About to Die Salute You” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.