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Bigod 20

band

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 27, 2026
Entity authorityQ828087
Source-derived summary

Bigod 20 was a German EBM-techno band which was formed in 1988 by music producers Andreas Tomalla (a.k.a. Talla 2XLC and formerly of the band Moskwa TV) and Markus Nikolai (a.k.a. Jallokin). Nikolai, together with Thomas Franzmann, run the Berlin based Perlon record label.

History

In the late 1980s, Tomalla and Nikolai formed the band Pluuto under Tomalla's own Technodrome Records (TDI Records) label. At the time, Tomalla was also involved in the production of several other projects such as Tribantura and his other collaborations Axodry, Robotiko Rejekto, Moskwa TV, and Microchip League.

In 1988, the duo released their first single as Bigod 20, "America," on the ZYX Records label with a b-side cover of Depeche Mode's "Photographic." That year they also released the single "Body to Body" as part of Tomalla's newly founded Music Research label, which eventually evolved into Zoth Ommog Records.

In 1989, Tomalla and Nikolai formed a new project under the name Umo Detic whose second single, "Carpe Diem", would later be re-envisioned as a Bigod 20 single.

In 1990, Bigod 20 released the single, "The Bog," which became a club hit and resulted in a record deal with Sire Records. The single featured a strong Front 242 influence, due in no small part to having the guest vocal work of Front 242 lead man Jean-Luc De Meyer.

Editorial summary

The public source identifies “Bigod 20” as band. This brief keeps that definition visible, then builds a research path around Bigod and band.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1988, 1989, 1990—that can be checked directly. The linked authority record independently contributes the date 1988. Its value is orientation rather than verdict, with Bigod and band providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Bigod 20”, the useful work is to connect “band” to the records capable of establishing context and consequence.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Apr 27, 2026. The linked authority identifier is Q828087. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1988, 1989 and 1990.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  1. Establish the record: confirm the title “Bigod 20”, its source revision and the description used here.
  2. Expand the search: follow Bigod 20 primary sources, Bigod 20 archive and Bigod research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from Bigod 20” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.