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Teddy Charles

American jazz musician and composer (1928–2012)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 25, 2026
Entity authorityQ346768 ↗
Source-derived summary

Teddy Charles, born Theodore Charles Cohen (April 13, 1928 – April 16, 2012) was an American jazz musician and composer, whose instruments were the vibraphone, piano, and drums.

Career

Born Theodore Charles Cohen in Chicopee Falls, Massachusetts, United States, he studied at the Juilliard School of Music as a percussionist. Later he began to record and made personal appearances as Teddy Cohen with bands as a vibraphonist, writing, arranging, and producing records. In 1951, he changed his last name to Charles.

Charles was one of many jazz musicians who hung out at an apartment building at 821 Sixth Avenue, in New York City, known as the Jazz Loft rented by photographer and artist David X. Young, who in turn sublet two apartments to Hall Overton (Charles's mentor) and Dick Cary.

Known as an innovator, Charles's main work was recorded in the 1950s, with polytonal albums such as New Directions, Collaboration: West, Word from Bird, and The Teddy Charles Tentet. He was a studio musician for Miles Davis, Charles Mingus, Shelly Manne, and Dion. From the mid-1950s onwards, Charles worked primarily as a record producer. He was also a co-leader of the Prestige Jazz Quartet. He recorded an album, Live at the Verona Jazz Festival, for Soul Note in 1988.

Editorial summary

The public source identifies “Teddy Charles” as american jazz musician and composer (1928–2012). This brief keeps that definition visible, then builds a research path around Teddy, Charles and American.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1928, 2012, 1951, 1988—that can be checked directly. The linked authority record independently contributes the date 1928-04-13. Its value is orientation rather than verdict, with Teddy, Charles and American providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Teddy Charles”, the useful work is to connect “american jazz musician and composer (1928–2012)” to the records capable of establishing context and consequence.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Apr 25, 2026. The linked authority identifier is Q346768. VIAF identifies the subject as 29722722. The Library of Congress control number is n91051276. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1928, 2012, 1951 and 1988.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Teddy Charles”, its source revision and the description used here.
  2. Expand the search: follow Teddy Charles primary sources, Teddy Charles archive and Teddy research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Teddy Charles”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. Which claims depend on a single source or contested interpretation?
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Source & attribution

This entry incorporates text from “Teddy Charles” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.