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Super Colossal

2006 album by Joe Satriani

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJan 9, 2026
Entity authorityQ1072035 ↗
Source-derived summary

Super Colossal is the eleventh studio album by guitarist Joe Satriani, released on March 14, 2006, through Epic Records. The album reached No. 86 on the U.S. Billboard 200 and remained on that chart for two weeks, as well as reaching the top 100 in three other countries. Super Colossal was nominated for Best Rock Instrumental Performance at the 2007 Grammy Awards, Satriani's thirteenth such nomination.

Release and touring

Recording for Super Colossal began around September 2005 and the title was announced on February 2, 2006. Touring began in North America from March to May 2006, followed by Europe from June to July.

Overview

Satriani provides detailed explanations of the story behind each track in the album's liner notes. "Crowd Chant" was originally going to be named "Party on the Enterprise" with sampled sounds of the Enterprise spacecraft from the Star Trek series. However, prior to the album's release, Satriani explained on a podcast that he was unable to acquire the legal rights to use the samples, choosing instead to replace them with his own sounds and rename the track. "Crowd Chant"'s ending theme was inspired by composer Gabriel Fauré's "Pavane in F-sharp minor, Op.

Editorial summary

The public source identifies “Super Colossal” as 2006 album by Joe Satriani. This brief keeps that definition visible, then builds a research path around Super, Colossal and album.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2006, 2007, 2005—that can be checked directly. The linked authority record independently contributes the date 2006-03-14. Its value is orientation rather than verdict, with Super, Colossal and album providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Super Colossal”, the useful work is to connect “2006 album by Joe Satriani” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jan 9, 2026. The linked authority identifier is Q1072035. None of the 1 selected statements returned an explicit reference. The first chronological checks are 2006, 2007 and 2005.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Super Colossal”, its source revision and the description used here.
  2. Expand the search: follow Super Colossal primary sources, Super Colossal archive and Super research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Super Colossal”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “Super Colossal” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.