Theatre Royal, Bath
theatre in Bath, Somerset, England

The Theatre Royal in Bath, England, was built in 1805. A Grade II* listed building, it has been described by the Theatres Trust as "One of the most important surviving examples of Georgian theatre architecture". It has a capacity for an audience of around 900.
The Theatre Royal was built to replace the Old Orchard Street Theatre, funded by a tontine and elaborately decorated. The architect was George Dance the Younger, with John Palmer carrying out much of the work. It opened with a performance of Shakespeare's Richard III and hosted performances by many leading actors of the time including Dorothea Jordan, William Macready and Edmund Kean. A major fire in 1862 destroyed the interior of the building and was quickly followed by a rebuilding programme by Charles J. Phipps, which included the construction of the current entrance. Further redecoration was undertaken in 1892; more extensive building work, including a new staircase and the installation of electric lighting, followed in 1902. Despite performances by casts including Sarah Bernhardt, the ballerina Anna Pavlova and Mrs. Patrick Campbell, the theatre was rarely very profitable.
This brief starts where responsible research should: with the source description of “Theatre Royal, Bath” as theatre in Bath, Somerset, England. Everything that follows is an evidence route, not borrowed authority.
Why this record matters
The subject matters to the arts & letters register because the source frames it as theatre in Bath, Somerset, England. Its deeper value depends on whether names, dates, institutions and citations support that framing.
Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 31, 2026. The linked authority identifier is Q12407055. VIAF identifies the subject as 125745850. The Library of Congress control number is nb2007007549. Authority coordinates are 51.382, -2.363. 3 of 6 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1805, 1862, 1892 and 1902.
Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Theatre Royal, Bath”, its source revision and the description used here.
- Expand the search: follow Theatre Royal, Bath primary sources, Theatre Royal, Bath archive and Theatre research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Theatre Royal, Bath”?
- Where is authorship, date or provenance documented?
- Which edition, object, performance or recording is being described?
Search terms from this dossier
This entry incorporates text from “Theatre Royal, Bath” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.