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The Wounds of Civil War

play

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 15, 2026
Entity authorityQ7776248 ↗
Source-derived summary

The Wounds of Civil War is an Elizabethan era stage play, written by Thomas Lodge. A dramatization of the ancient Roman conflict between Marius and Sulla, the play is generally considered Lodge's only extant solo drama.

Publication

The Wounds of Civil War was entered into the Stationers' Register on 24 May 1594, and was published in quarto later that year by the bookseller John Danter. The title page of the quarto identifies Lodge as the author, and states that the play was performed by the Admiral's Men. The 1594 quarto is the only publication of the play before the nineteenth century.

Date

The date of the authorship and premier performance of the play is not known with certainty. Many scholars have considered the scene in Act III that includes a chariot drawn by four Moors as an imitation of the famous similar scene in Marlowe's Tamburlaine, indicating that Lodge's play must post-date Marlowe's. The Wounds of Civil War is generally dated to the 1587–92 period. (A minority view allows the possibility the Lodge's play may have pre-dated Marlowe's, and that Marlowe may have been influenced by Lodge.)

Sources

Lodge's primary source on the First Civil War in ancient Rome was the Roman History of Appian; an English translation of Appian's work, by "W. B.," had been published by Henry Bynneman in 1578. Lodge departs from his source when it suits his purposes, as in elevating the minor figure Junius Brutus into a significant character.

Editorial summary

Begin with the source’s own compact description: “The Wounds of Civil War” is play. The dossier treats that line as a proposition to test through Wounds, Civil and play, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1594, 1587, 1578—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Wounds, Civil and play is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “play” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated May 15, 2026. The linked authority identifier is Q7776248. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1594, 1587 and 1578.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Wounds of Civil War”, its source revision and the description used here.
  2. Expand the search: follow The Wounds of Civil War primary sources, The Wounds of Civil War archive and Wounds research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Wounds of Civil War”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “The Wounds of Civil War” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.