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The World, the Flesh and the Devil (1959 film)

1959 film by Ranald MacDougall

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 22, 2026
Entity authorityQ3224654 ↗
Source-derived summary

The World, the Flesh and the Devil is a 1959 American science fiction doomsday film written and directed by Ranald MacDougall. The film stars Harry Belafonte, who was then at the peak of his film career. The film is set in a post-apocalyptic world with very few human survivors. It is based on two sources: the 1901 novel The Purple Cloud by M. P. Shiel and the story "End of the World" by Ferdinand Reyher.

Plot

Black mine inspector Ralph Burton becomes trapped in a cave-in at a Pennsylvania coal mine. He can hear rescuers digging towards him, but after five days they slow down and then stop completely, along with the drainage pumps keeping the shaft from flooding. Ralph frantically digs his own way out, but upon emerging from the mine, he finds a world devoid of any people, living or dead. Discarded newspapers provide an explanation: one proclaims "UN Retaliates For Use Of Atomic Poison", another that "Millions Flee From Cities! End Of The World". Ralph later plays tapes at a radio station and learns that an unknown country had dispersed large quantities of radioactive sodium isotopes into the atmosphere.

Editorial summary

Begin with the source’s own compact description: “The World, the Flesh and the Devil (1959 film)” is 1959 film by Ranald MacDougall. The dossier treats that line as a proposition to test through World, Flesh and Devil, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1959, 1901—that can be checked directly. The linked authority record independently contributes the date 1959-05-20. For this dossier, World, Flesh and Devil is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1959 film by Ranald MacDougall” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Mar 22, 2026. The linked authority identifier is Q3224654. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1959 and 1901.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The World, the Flesh and the Devil (1959 film)”, its source revision and the description used here.
  2. Expand the search: follow The World, the Flesh and the Devil (1959 film) primary sources, The World, the Flesh and the Devil (1959 film) archive and World research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The World, the Flesh and the Devil (1959 film)”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from “The World, the Flesh and the Devil (1959 film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.