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The Woman I Loved Most

1942 film by Robert Vernay

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 3, 2026
Entity authorityQ3208753 ↗
Source-derived summary

The Woman I Loved Most (French: La femme que j'ai le plus aimée) is a 1942 French drama film directed by Robert Vernay and starring Arletty, Mireille Balin and Lucien Baroux. It was shot at the Cité Elgé Studios in Occupied Paris. The film's sets were designed by the art director René Renoux.

Synopsys

A young man with a broken heart intends to commit suicide, and in order to console him, his uncle and friends tell the stories of their own broken hearts.

Cast

Arletty as Simone, surgeon's tenant

Mireille Balin as Ferval's wife

Lucien Baroux as Louis Drotort, artist

René Lefèvre as Georges, industrialist's son

André Luguet as lawyer

Noël-Noël as surgeon

Raymond Rouleau as Claude Ferval, playwright

Jean Tissier as Hubert Barnabé, theater director

Michèle Alfa as Michèle Fabreuse, female sculptor

Raymond Aimos as gladiator model

René Bergeron as concierge

Simone Berriau as artist's wife

Bernard Blier as funeral director

Renée Devillers as Jeanne, secretary

Maurice Escande as Gaëtan

Charles Granval as industrialist, father of George

Pierre Magnier as uncle

Raymond Segard as nephew

Marcel Vallée as critic

Alfred Adam as Charles, attorney

Paul Faivre as Panouille, clerk

Jacqueline Gauthier as Rose, Simone's maid

Pierre Jourdan as friend of Claude

Missia as housekeeper

Paul Demange as hairdresser

Geneviève Morel as flower girl

References

Bibliography

Bessy, Maurice & Chirat, Raymond. Histoire du cinéma français: encyclopédie des films, 1940–1950. Pygmalion, 1986

Rège, Philippe. Encyclopedia of French Film Directors, Volume 1. Scarecrow Press, 2009.

Editorial summary

This brief starts where responsible research should: with the source description of “The Woman I Loved Most” as 1942 film by Robert Vernay. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1942, 1940, 1950, 1986—that can be checked directly. The linked authority record independently contributes the date 1942-01-01. The account is most persuasive where Woman, Loved and Most can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 1942 film by Robert Vernay. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Mar 3, 2026. The linked authority identifier is Q3208753. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1942, 1940, 1950 and 1986.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Woman I Loved Most”, its source revision and the description used here.
  2. Expand the search: follow The Woman I Loved Most primary sources, The Woman I Loved Most archive and Woman research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Woman I Loved Most”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “The Woman I Loved Most” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.