The Wicked Prince
1840 literary fairy tale by Hans Christian Andersen

The Wicked Prince (Danish: Den onde Fyrste) is a fairy tale by the Danish author and fabulist Hans Christian Andersen first published in 1840. The story of a conquering prince who aspires to overthrow God and is driven mad for his grandiosity, it has been analysed for its representation of technology and as an early work of science fiction.
Synopsis
The protagonist of The Wicked Prince is a cruel and ambitious prince (sometimes translated as king) who becomes powerful and wealthy after conquering and pillaging all his neighbouring polities. His armies overthrow a church, but the priests refuse to place statues of him upon their altars, on the basis that his worldly power is inferior to God's. Infuriated by this, the prince decides to conquer Heaven and overthrow God.
He builds a ship capable of flying through the air, armed with thousands of turrets and flying on the wings of hundreds of eagles. As the ship flies to Heaven, the prince is stopped in his tracks by a single angel, who is able to ground the ship with a single drop of blood from its wings. Though the prince nearly dies as his ship falls to Earth, he is invigorated in his goal and spends the next seven years building ever more-powerful vessels.
Seven years after his original attack, the prince returns to Heaven with new ships transporting a massive army. As his soldiers leave for Heaven, God sends a swarm of gnats to attack the prince.
This brief starts where responsible research should: with the source description of “The Wicked Prince” as 1840 literary fairy tale by Hans Christian Andersen. Everything that follows is an evidence route, not borrowed authority.
Why this record matters
The subject matters to the arts & letters register because the source frames it as 1840 literary fairy tale by Hans Christian Andersen. Its deeper value depends on whether names, dates, institutions and citations support that framing.
Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jun 13, 2026. The linked authority identifier is Q120644037. 1 of 1 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1840.
Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “The Wicked Prince”, its source revision and the description used here.
- Expand the search: follow The Wicked Prince primary sources, The Wicked Prince archive and Wicked research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “The Wicked Prince”?
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- Where is authorship, date or provenance documented?
Search terms from this dossier
This entry incorporates text from “The Wicked Prince” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.