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The Wake of Magellan

1997 studio album by Savatage

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 8, 2026
Entity authorityQ1038922 ↗
Source-derived summary

The Wake of Magellan is the tenth studio album released by the American heavy metal band Savatage. The album was released in September 1997 in Europe and Japan, and in April 1998 in the US.

This is the first Savatage album to have the same lineup as the previous album since Hall of the Mountain King in 1987 and also the last to feature vocals from lead singer Zachary Stevens. The progressive metal band Dream Theater are thanked in the album's liner notes. Dream Theater keyboard player Derek Sherinian and Al Pitrelli went to college together, were both in the band Ethyl Mertz and toured with Alice Cooper for the Trashes the World tour. Pitrelli and John Petrucci also played together on a Japanese release called Guitar Battle.

Story

The Wake of Magellan is a concept album based on two real life events. The first, the Maersk Dubai incident, occurred just over a year before the album was released, when the captain and officers of the ship threw three Romanian stowaways overboard in the middle of the Atlantic. A fourth stowaway was saved by the courageous actions of the ship's boatswain, Rodolfo Miguel, who risked his own life to protect the youth after witnessing the other three murders. The second event regarded the Irish reporter Veronica Guerin, who died fighting the growth of the drug trade in her country. Her death may accomplish what she could not in life.

Editorial summary

Begin with the source’s own compact description: “The Wake of Magellan” is 1997 studio album by Savatage. The dossier treats that line as a proposition to test through Wake, Magellan and studio, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1997, 1998, 1987—that can be checked directly. The authority record carries competing date values—1997-09-15, 1998-04-07—which should remain separate until their references and qualifiers are resolved. For this dossier, Wake, Magellan and studio is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1997 studio album by Savatage” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Aug 8, 2026. The linked authority identifier is Q1038922. None of the 2 selected statements returned an explicit reference. The first chronological checks are 1997, 1998 and 1987.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Wake of Magellan”, its source revision and the description used here.
  2. Expand the search: follow The Wake of Magellan primary sources, The Wake of Magellan archive and Wake research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Wake of Magellan”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “The Wake of Magellan” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.